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Green Earth Pigment from the Kadaň Region, Czech Republic: Use of Rare Fe-rich Smectite
3 references·9 citing·45 second hop
Green Earth Pigment from the Kadaň Region, Czech Republic: Use of Rare Fe-rich Smectite (2004)Green Earth Pigment from the Kadaň Region…Clay and iron oxide pigments in the history of painting (2003)Clay and iron oxide pigments …Analysis of earthy pigments in grounds of Baroque paintings (2003)Analysis of earthy pigments i…An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century (2002)An extensive non‐destructive …Assessment of Easily Accessible Spectroscopic Techniques Coupled with Multivariate Analysis for the Qualitative Characterization and Differentiation of Earth Pigments of Various Provenance (2022)Assessment of Easily Accessib…Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching (2020)Fiber Optic Reflection Spectr…Clay Minerals in European Painting of the Mediaeval and Baroque Periods (2020)Clay Minerals in European Pai…In situ non-invasive characterization of pigments and alteration products on the masonry altar of S. Maria ad Undas (Idro, Italy) (2017)In situ non-invasive characte…Polychromy Analysis on Cypriot Archaic Statues by Non- and Micro-Invasive Analytical Techniques (2016)Polychromy Analysis on Cyprio…Non-destructive in situ analysis of polychromy on ancient Cypriot sculptures (2016)Non-destructive in situ analy…X-ray powder diffraction investigation of green earth pigments (2010)X-ray powder diffraction inve…MINERALOGY OF BOHEMIAN GREEN EARTH PIGMENT AND ITS MICROANALYTICAL EVIDENCE IN HISTORICAL PAINTINGS (2010)MINERALOGY OF BOHEMIAN GREEN …OCCURRENCES OF GREEN EARTH PIGMENT ON NORTHWEST COAST FIRST NATIONS PAINTED OBJECTS* (2008)OCCURRENCES OF GREEN EARTH PI…Roman wall paintings characterization from Cripta del Museo and Alcazaba in Mérida (Spain): chromatic, energy dispersive X-ray flurescence spectroscopic, X-ray diffraction and Fourier transform infrared spectroscopic analysis (2001)Investigation of roman age pigments found on pottery fragments (2003)Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto (2004)PIGMENTS AND PLASTERS FROM THE ROMAN SETTLEMENT OF THAMUSIDA (RABAT, MOROCCO) (2011)X-ray Diffraction and SEM Investigation of Wall Paintings Found in the Roman Temple Complex at Horvat Omrit, Israel (2014)RED PALAEOLITHIC PIGMENTS: NATURAL HEMATITE OR HEATED GOETHITE?* (1999)Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy (2000)Analysis of ochres from Clearwell Caves: the role of particle size in determining colour (2004)Analysis of sculptures using XRF and X-ray radiography (2015)Green pigments of Roman mural paintings from Seville Alcazar (2015)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis (2007)Correction of Ultraviolet-Induced Fluorescence Spectra for the Examination of Polychromy (2008)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Ancient Egyptian Materials and Industries (1948)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)CHEMICAL AND MINERALOGICAL ANALYSES OF GALLO‐ROMAN WALL PAINTING FROM DIETIKON, SWITZERLAND (1996)The Kwakiutl of Vancouver Island (2016)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Identification of pigments by multispectral imaging; a flowchart method (2014)Geochemical survey of soil samples from the archaeological site Dromolaxia-Vyzakia (Cyprus), by means of micro-XRF and statistical approaches (2016)New Insight into Hellenistic and Roman Cypriot Wall Paintings: An Exploration of Artists’ Materials, Production Technology, and Technical Style (2019)The ancient use of colouring on the marble statues of Hierapolis of Phrygia (Turkey): an integrated multi-analytical approach (2019)Analytical Techniques in Materials Conservation (2007)Pigment Compendium (2008)The Guelph PIXE software package IV (2010)Investigation of painting technique of Coptic icon by integrated analytical methods: imaging, spectroscopic and chemometric methods (2019)Polychromy in Ancient Greek Sculpture: New Scientific Research on an Attic Funerary Stele at the Metropolitan Museum of Art (2023)Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Multi-Scale X-ray Imaging of the Pigment Discoloration Processes Triggered by Chlorine Compounds in the Upper Basilica of Saint Francis of Assisi (2023)Maya Blue: A Clay-Organic Pigment? (1966)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Preliminary Study of the Mural Paintings of Sotterra Church in Paola (Cosenza, Italy) (2022)A Multianalytical Investigation to Preserve Wall Paintings: A Case Study in a Hypogeum Environment (2023)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa (2009)Lighting Up the Heritage Sciences: The Past and Future of Laser-Induced Fluorescence Spectroscopy in the Field of Cultural Goods (2023)
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References

  • 2003Clay and iron oxide pigments in the history of painting375 cited
  • 2002An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century89 cited
  • 2003Analysis of earthy pigments in grounds of Baroque paintings51 cited

Cited by

  • 2022Assessment of Easily Accessible Spectroscopic Techniques Coupled with Multivariate Analysis for the Qualitative Characterization and Differentiation of Earth Pigments of Various Provenance38 cited
  • 2010MINERALOGY OF BOHEMIAN GREEN EARTH PIGMENT AND ITS MICROANALYTICAL EVIDENCE IN HISTORICAL PAINTINGS30 cited
  • 2016Polychromy Analysis on Cypriot Archaic Statues by Non- and Micro-Invasive Analytical Techniques26 cited
  • 2016Non-destructive in situ analysis of polychromy on ancient Cypriot sculptures25 cited
  • 2020Clay Minerals in European Painting of the Mediaeval and Baroque Periods19 cited
  • 2017In situ non-invasive characterization of pigments and alteration products on the masonry altar of S. Maria ad Undas (Idro, Italy)17 cited
  • 2008OCCURRENCES OF GREEN EARTH PIGMENT ON NORTHWEST COAST FIRST NATIONS PAINTED OBJECTS*17 cited
  • 2020Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching15 cited
  • 2010X-ray powder diffraction investigation of green earth pigments15 cited

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