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The Invention of the Mizrahim
2 references·16 citing·32 second hop
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this work references cited by second hop

References

  • 1997Dangerous liaisons: gender, nation, and postcolonial perspectives1,055 cited
  • 1988Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims468 cited

Cited by

  • 2011Participatory destigmatization strategies among Palestinian citizens, Ethiopian Jews and Mizrahi Jews in Israel132 cited
  • 2020Beyond culture and economy: Israel’s security-driven populism73 cited
  • 2005The Social Construction of Postcolonial Studies36 cited
  • 2005Eugenic Woman, Semicolonialism, and Colonial Modernity as Problems for Postcolonial Theory35 cited
  • 2005The End of History, Again?27 cited
  • 2002The Politics of Postcolonial Modernism26 cited
  • 2020When does a native become a settler? (With apologies to Zreik and Mamdani)22 cited
  • 2005Beyond the Straits20 cited
  • 2016Ethnicity without ethnicity: ‘I'm beyond that story’ state arrangements, re-education and (new) ethnicity in Israel14 cited
  • 2016Social movements in an era of post-democracy: how the Israeli J14 tent protests of 2011 challenged neoliberal hegemony through the production of place11 cited
  • 2019Sounding Arabic: postvernacular modes of performing the Arabic language in popular music by Israeli Jews9 cited
  • 2007Mizrahi Subaltern Counterpoints: Sderot's Alternative Bands8 cited

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  • 2019Language and identity among Iranian immigrants in Israel7 cited
  • 2021Sonic masquerading in Israeli popular music: self-Imitation, accent, and mockery5 cited
  • 2013Minor language and major responses in the field of popular music in Israel4 cited
  • 2024Orientalism, Arab Jewish identity(ies) and modernity in British Mandate Palestine viewed through the archive of master musician Azuri Effendi/Ezra Aharon3 cited