SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Zora Neale Hurston and the Federal Folk
10 references·3 citing·29 second hop
Zora Neale Hurston and the Federal Folk (2000)Zora Neale Hurston and the Federal FolkThe Harlem Renaissance in Black and White (1997)The Harlem Renaissance in Bla…The Black Image in the New Deal: The Politics of FSA Photography. (1993)The Black Image in the New De…New Essays on Their Eyes Were Watching God (1991)New Essays on Their Eyes Were…Repression and recovery: modern American poetry and the politics of cultural memory, 1910-1945 (1990)Repression and recovery: mode…The Burden of Representation: Essays on Photographies and Histories. (1989)The Burden of Representation:…The Slave's Narrative. (1986)The Slave's Narrative.Zora Neale Hurston: A Literary Biography (1978)Zora Neale Hurston: A Literar…Documentary Expression and Thirties America. (1974)Documentary Expression and Th…BETWEEN LAUGHTER AND TEARS (1937)BETWEEN LAUGHTER AND TEARSBlues: An Anthology. (1927)Blues: An Anthology.Real folks: race and genre in the Great Depression (2012)Real folks: race and genre in…Real Folks (2011)Real FolksThe Unbearable Weight of Authenticity: Zora Neale Hurston's Their Eyes Were Watching God and a Theory of "Touristic Reading" (2004)The Unbearable Weight of Auth…The Rise of Periodical Studies (2006)Re-Covering Modernism: Pulps, Paperbacks, and the Prejudice of Form (2009)The Cambridge Introduction to Modernist Poetry (2011)The Talking Book and the Talking Book Historian: African American Cultures of Print—The State of the Discipline (2010)The Cambridge History of the American Novel (2011)“Two souls, two thoughts,” two self-schemas: Double consciousness can have positive academic consequences for African Americans. (2015)The Working Body as Sign: Historical Snapshots (2001)What Is This a Picture Of?: Some Thoughts on Images and Archives (2006)Representing Social Minds: “We” and “They” Narratives, Natural and Unnatural (2015)For Who Hath Despised the Day of Small Things? Missionary Narratives and Historical Anthropology (1995)Signs of Difference (2019)Literacy and Authenticity: The Blues Poems of Langston Hughes (1996)Plantation Song: Delius, Barbershop, and the Blues (2013)Eepha-Soffa-Dill and Eephing: Found in Ragtime, Jazz, and Country Music, from Broadway to a Texas Plantation (2017)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)The Quadruple Object (2011)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)The Status of American Rural Education Research: An Integrated Review and Commentary (1987)Cultural governance and pictorial resistance: reflections on the imaging of war (2003)CULTURE AND CULTURAL ANALYSIS AS EXPERIMENTAL SYSTEMS (2007)"He Made Us Laugh Some": Frederick Douglass's Humor (2003)A History of the African American Novel (2017)The Politics of Black Joy (2021)Bioarchaeology of the African Diaspora in the Americas: Its Origins and Scope (2001)A Sexual Culture for Disabled People (2012)Sacral Grooves, Limbo Gateways: Travels in Deep Southern Time, Circum-Caribbean Space, Afro-creole Authority (2013)"Go there tuh know there": Zora Neale Hurston and the Chronotope of the Folk (2001)The Verdict from the Porch: Zora Neale Hurston and Reparative Justice (2002)Archipelagic Diaspora, Geographical Form, and Hurston's Their Eyes Were Watching God (2013)
this work references cited by second hop

References

  • 1989The Burden of Representation: Essays on Photographies and Histories.935 cited
  • 1974Documentary Expression and Thirties America.280 cited
  • 1990Repression and recovery: modern American poetry and the politics of cultural memory, 1910-1945236 cited
  • 1997The Harlem Renaissance in Black and White228 cited
  • 1978Zora Neale Hurston: A Literary Biography209 cited
  • 1937BETWEEN LAUGHTER AND TEARS187 cited
  • 1986The Slave's Narrative.155 cited
  • 1991New Essays on Their Eyes Were Watching God93 cited
  • 1993The Black Image in the New Deal: The Politics of FSA Photography.42 cited
  • 1927Blues: An Anthology.20 cited

Cited by

  • 2011Real Folks18 cited
  • 2012Real folks: race and genre in the Great Depression17 cited
  • 2004The Unbearable Weight of Authenticity: Zora Neale Hurston's Their Eyes Were Watching God and a Theory of "Touristic Reading"16 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work