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A Catholic, a Patriot, a Good Modernist: Manuel de Falla and the Francoist Musical Press
1 references·9 citing·19 second hop
A Catholic, a Patriot, a Good Modernist: Manuel de Falla and the Francoist Musical Press (2013)A Catholic, a Patriot, a Good Modernist: …Manuel de Falla and Modernism in Spain, 1898-1936 (2002)Manuel de Falla and Modernism…Writing about Popular Music (2019)Writing about Popular MusicThe Requiem of Tomás Luis de Victoria (1603) (2019)The Requiem of Tomás Luis de …The Gender Paradox: Criticism of Women and Women as Critics (2019)The Gender Paradox: Criticism…Stop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Music Criticism in Norway (2019)Music Criticism in NorwayMusic Criticism in Italy in the Twentieth Century (2019)Music Criticism in Italy in t…Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…Comparing Notes: Recording and Criticism (2019)Comparing Notes: Recording an…A New Introduction to Bibliography (1973)Musica Poetica: Musical-Rhetorical Figures in German Baroque Music (1998)A General History of Music, from the Earliest Ages to the Present Period (2018)Deep Mourning in Cinquecento Venice: Gioseffo Zarlino's lectiones pro mortuis (2020)Renaissance Polyphony (2020)Beyond media imperialism: Assymetrical interdependence and cultural proximity (1991)Listening in Paris (1995)Voices of Modernity (2003)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Distinction: A Social Critique of the Judgement of Taste. (1985)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Dibattito critico e polemica politico-ideologica nella musica italiana del Novecento: Fedele d’Amico e Luigi Nono (2022)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The converged promoter, the calculating professional, and the autonomous critic – the presentation of musical authority on social media (2021)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films (2008)Manuel De Falla’s Music in Letters: Nationalism, Internationalism, And Modernism in his Correspondence with Enrique F. Arbós (1916–1939) (2018)
this work references cited by second hop

References

  • 2002Manuel de Falla and Modernism in Spain, 1898-193683 cited

Cited by

  • 2019Writing about Popular Music53 cited
  • 2019The Requiem of Tomás Luis de Victoria (1603)25 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2019Music Criticism in Italy in the Twentieth Century2 cited
  • 2019Comparing Notes: Recording and Criticism2 cited
  • 2019The Gender Paradox: Criticism of Women and Women as Critics2 cited

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