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Hot Jazz, the Guide to Swing Music
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Hot Jazz, the Guide to Swing Music (1936)Hot Jazz, the Guide to Swing MusicTransatlantic re-soundings: Fats Waller’s London Suite and the Jazz Atlantic (2018)Transatlantic re-soundings: F…Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a “Serious” Jazz Composer (2017)Marketing to the Middlebrow: …Jazz women, gender politics, and the francophone Atlantic (2013)Jazz women, gender politics, …Airing Authenticity: The BBC Jam Sessions from New York, 1938/39 (2012)Airing Authenticity: The BBC …Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié's writing on jazz (2011)Tradition, modernity and the …Negotiating Primitivist Modernisms: Louis Armstrong, Robert Goffin, and the Transatlantic Jazz Debate (2011)Negotiating Primitivist Moder…Authenticity Revisited: The Rock Critic and the Changing Real (2010)Authenticity Revisited: The R…Where Did Porgy and Bess Come From? (2006)Where Did Porgy and Bess Come…Revisiting Fletcher Henderson's "Copenhagen" (1995)Revisiting Fletcher Henderson…Constructing the Jazz Tradition: Jazz Historiography (1991)The Jazz cadence of American culture (1999)What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists (2002)Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge (2024)Handbook of Theory and Research for the Sociology of Education. (1987)The Black Atlantic: Modernity and Double Consciousness (1994)Black Skin, White Masks (2023)When Harlem was in Vogue (1981)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The crisis of the Negro intellectual (1967)The Broadway Musical: A Critical and Musical Survey (1992)America's musical life: a history (2001)THE DIASPORA OF WEST AFRICA: THE INFLUENCE OF WEST AFRICAN CULTURES ON “JODY CALLS” IN THE UNITED STATES MILITARY (2009)Cheryl Crawford'sPorgy and Bess: Navigating Cultural Hierarchy in 1941 (2016)Performing Catfish Row in the Soviet Union: The Everyman Opera Company andPorgy and Bess, 1955–56 (2017)The Presentation of Self in Everyday Life. (1956)A Social Psychologist Discovers Chicago Sociology (1989)Liveness: performance in a mediatized culture (2008)Frame Analysis: An Essay on the Organization of Experience. (1975)Distinction: A Social Critique of the Judgement of Taste. (1985)New Economy of Fandom (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)The Predicament of Culture (1988)Thinking in Jazz (1994)Thinking in jazz: the infinite art of improvisation (1995)Hugues Panassié contra Walter Benjamin: Bodies, Masses, and the Iconic Jazz Recording in Mid-century France (2012)Feeling to Learn: Ideologies of Race, Aurality, and Manouche Music Pedagogy in France (2021)Highbrow/Lowbrow (1988)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)The Work of Art in the Age of Mechanical Reproduction (2007)The Black Atlantic: Modernity and Double Consciousness. (1997)
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Cited by

  • 2010Authenticity Revisited: The Rock Critic and the Changing Real125 cited
  • 2012Airing Authenticity: The BBC Jam Sessions from New York, 1938/3914 cited
  • 2011Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié's writing on jazz14 cited
  • 2018Transatlantic re-soundings: Fats Waller’s London Suite and the Jazz Atlantic12 cited
  • 2006Where Did Porgy and Bess Come From?11 cited
  • 1995Revisiting Fletcher Henderson's "Copenhagen"9 cited
  • 2011Negotiating Primitivist Modernisms: Louis Armstrong, Robert Goffin, and the Transatlantic Jazz Debate8 cited
  • 2017Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a “Serious” Jazz Composer3 cited
  • 2013Jazz women, gender politics, and the francophone Atlantic2 cited

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