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Materials and technological evolution of ancient cobalt-blue-decorated ceramics: Pigments and work patterns in tin-glazed objects from Aragon (Spain) from the 15th to the 18th century AD
12 references·16 citing·34 second hop
Materials and technological evolution of ancient cobalt-blue-decorated ceramics: Pigments and work patterns in tin-glazed objects from Aragon (Spain) from the 15th to the 18th century AD (2009)Materials and technological evolution of …Characterization of cobalt pigments found in traditional Valencian ceramics by means of laser ablation-inductively coupled plasma mass spectrometry and portable X-ray fluorescence spectrometry (2007)Characterization of cobalt pi…THE ‘DELLA ROBBIA BLUE’: A CASE STUDY FOR THE USE OF COBALT PIGMENTS IN CERAMICS DURING THE ITALIAN RENAISSANCE* (2006)THE ‘DELLA ROBBIA BLUE’: A CA…First-time observation of Mastro Giorgio masterpieces by means of non-destructive techniques (2006)First-time observation of Mas…EDXRF analysis of blue pigments used in Valencian ceramics from the 14th century to modern times (2006)EDXRF analysis of blue pigmen…Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems (2004)Non-destructive characterizat…Luster Pottery from the Thirteenth Century to the Sixteenth Century: A Nanostructured Thin Metallic Film (2001)Luster Pottery from the Thirt…Chemical and Textural Characterization of Tin Glazes in Islamic Ceramics from Eastern Spain (2001)Chemical and Textural Charact…The colours of Ca-rich ceramic pastes: origin and characterization (1998)The colours of Ca-rich cerami…LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)LEAD GLAZES IN ANTIQUITY—METH…Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Non-Destructive Spectroscopic…De l'origine du cobalt : du verre à la céramique (1996)De l'origine du cobalt : du v…Abū'l-Qāsim's Treatise on Ceramics (1973)Abū'l-Qāsim's Treatise on Cer…Trends in Colouring Blue Glass in Central Europe in Relation to Changes in Chemical Composition of Glass from the Middle Ages to Modern Age (2021)Trends in Colouring Blue Glas…The enamels of the first (soft‐paste) European blue‐and‐white porcelains: Rouen, Saint‐Cloud and Paris factories: Complementarity of Raman and X‐ray fluorescence analyses with mobile instruments to identify the cobalt ore (2021)The enamels of the first (sof…Smalt production in the Ore Mountains: Characterization of samples related to the production of blue pigment in Bohemia (2020)Smalt production in the Ore M…Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry (2020)Investigation of the Pigments…An on-site Raman and pXRF study of Joseph Coteau and Philippe Parpette’s jewelled porcelain: a summit of ceramic art (2020)An on-site Raman and pXRF stu…Non‐invasive on‐site Raman study of polychrome and white enamelled glass artefacts in imitation of porcelain assigned to Bernard Perrot and his followers (2019)Non‐invasive on‐site Raman st…Determining the provenance of the European glass beads of Lumbu (Mbanza Kongo, Angola) (2019)Determining the provenance of…Breaking Preconceptions: Thin Section Petrography For Ceramic Glaze Microstructures (2019)Breaking Preconceptions: Thin…Non-invasive on-site Raman study of blue-decorated early soft-paste porcelain: The use of arsenic-rich (European) cobalt ores – Comparison with huafalang Chinese porcelains (2018)Non-invasive on-site Raman st…Replicating Red: Analysis of ceramic slip color with CIELAB color data (2017)Replicating Red: Analysis of …The fast and direct characterization of blue-and-white porcelain glaze from Jingdezhen by laser ablation-inductively coupled plasma mass spectrometry (2015)The fast and direct character…Mining for Color: New Blues, Yellows, and Translucent Paint (2015)Mining for Color: New Blues, …Composition and microstructure of maiolica from the museum of ceramics in Ascoli Piceno (Italy): evidences by electron microscopy and microanalysis (2015)Composition and microstructur…Studies of the Iranian medieval ceramics surface modified by pulsed tea CO2 and Nd:YAG lasers (2014)Studies of the Iranian mediev…Characterization of Paintings by Laser Ablation-Inductively Coupled Plasma–Mass Spectrometry (2014)Characterization of Paintings…The use of micro-XRD for the study of glaze color decorations (2012)The use of micro-XRD for the …De re metallica (1950)De l'origine du cobalt dans les verres (1992)The production technology of Italian maiolica: a reassessment (2009)Multi-analytical identification of pigments and pigment mixtures used in 17th century Portuguese azulejos (2011)Changes in the Signature of Cobalt Colorants in Late Antique and Early Islamic Glass Production (2018)Ancient Egyptian Materials and Industries (1963)National Gallery Technical Bulletin (1979)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Heterogeneous distribution of metal nanocrystals in glazes of historical pottery (2002)A non-invasive XRF study supported by multivariate statistical 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analysis (2006)Different shades of red: The complexity of mineralogical and physico-chemical factors influencing the colour of ceramics (2017)Ceramic technology. How to characterise ceramic glazes (2020)Historia de España (1970)THE BEGINNINGS OF TIN‐OPACIFICATION OF POTTERY GLAZES (1997)CUERDA SECA CERAMICS FROM AL‐ANDALUS, ISLAMIC SPAIN AND PORTUGAL (10TH−12TH CENTURIES AD): INVESTIGATION WITH SEM–EDX AND CATHODOLUMINESCENCE* (2005)Hispano-Moresque ceramic tiles from the Monastery of Santa Clara-a-Velha (Coimbra, Portugal) (2013)Tin-based opacifiers in archaeological glass and ceramic glazes: a review and new perspectives (2018)LA-ICP-MS analysis of African glass beads: Laboratory inter-comparison with an emphasis on the impact of corrosion on data interpretation (2008)Mineral soda alumina glass: occurence and meaning (2010)Ancient glass: from kaleidoscope to crystal ball (2015)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)DISCOVERY, PRODUCTION AND USE OF TIN‐BASED OPACIFIERS IN GLASSES, ENAMELS AND GLAZES FROM THE LATE IRON AGE ONWARDS: A REASSESSMENT* (2007)Copper in glazes of Renaissance luster pottery: Nanoparticles, ions, and local environment (2003)Imaging study of Raffaello's “La Muta” by a portable XRF spectrometer (2015)Southern African glass beads: chemistry, glass sources and patterns of trade (2010)
this work references cited by second hop

References

  • 1998LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE*321 cited
  • 2001Luster Pottery from the Thirteenth Century to the Sixteenth Century: A Nanostructured Thin Metallic Film169 cited
  • 1996De l'origine du cobalt : du verre à la céramique167 cited
  • 1973Abū'l-Qāsim's Treatise on Ceramics164 cited
  • 1998The colours of Ca-rich ceramic pastes: origin and characterization154 cited
  • 2006THE ‘DELLA ROBBIA BLUE’: A CASE STUDY FOR THE USE OF COBALT PIGMENTS IN CERAMICS DURING THE ITALIAN RENAISSANCE*107 cited
  • 1996Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass106 cited
  • 2001Chemical and Textural Characterization of Tin Glazes in Islamic Ceramics from Eastern Spain81 cited
  • 2007Characterization of cobalt pigments found in traditional Valencian ceramics by means of laser ablation-inductively coupled plasma mass spectrometry and portable X-ray fluorescence spectrometry74 cited
  • 2004Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems63 cited
  • 2006EDXRF analysis of blue pigments used in Valencian ceramics from the 14th century to modern times56 cited
  • 2006First-time observation of Mastro Giorgio masterpieces by means of non-destructive techniques54 cited

Cited by

  • 2019Non‐invasive on‐site Raman study of polychrome and white enamelled glass artefacts in imitation of porcelain assigned to Bernard Perrot and his followers

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41 cited
  • 2012The use of micro-XRD for the study of glaze color decorations40 cited
  • 2017Replicating Red: Analysis of ceramic slip color with CIELAB color data40 cited
  • 2018Non-invasive on-site Raman study of blue-decorated early soft-paste porcelain: The use of arsenic-rich (European) cobalt ores – Comparison with huafalang Chinese porcelains39 cited
  • 2015Mining for Color: New Blues, Yellows, and Translucent Paint36 cited
  • 2020Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry28 cited
  • 2021The enamels of the first (soft‐paste) European blue‐and‐white porcelains: Rouen, Saint‐Cloud and Paris factories: Complementarity of Raman and X‐ray fluorescence analyses with mobile instruments to identify the cobalt ore25 cited
  • 2020Smalt production in the Ore Mountains: Characterization of samples related to the production of blue pigment in Bohemia24 cited
  • 2015Composition and microstructure of maiolica from the museum of ceramics in Ascoli Piceno (Italy): evidences by electron microscopy and microanalysis18 cited
  • 2015The fast and direct characterization of blue-and-white porcelain glaze from Jingdezhen by laser ablation-inductively coupled plasma mass spectrometry15 cited
  • 2019Breaking Preconceptions: Thin Section Petrography For Ceramic Glaze Microstructures13 cited
  • 2021Trends in Colouring Blue Glass in Central Europe in Relation to Changes in Chemical Composition of Glass from the Middle Ages to Modern Age12 cited
  • 2014Characterization of Paintings by Laser Ablation-Inductively Coupled Plasma–Mass Spectrometry11 cited
  • 2014Studies of the Iranian medieval ceramics surface modified by pulsed tea CO2 and Nd:YAG lasers11 cited
  • 2019Determining the provenance of the European glass beads of Lumbu (Mbanza Kongo, Angola)11 cited
  • 2020An on-site Raman and pXRF study of Joseph Coteau and Philippe Parpette’s jewelled porcelain: a summit of ceramic art9 cited