Double Acts: Mary Ellen Mark'sTwins

Abstract

Mary Ellen Mark's photographic collection Twins (2003) raises provocative questions about performance, contingency and the relativity of difference, self and other. Her images complicate notions of individuality and foundational difference and challenge both self-recognition and recognition by others. They require viewers to observe closely, to spend time studying her subjects and to address the relativity—sometimes the radical relativity—of difference but also of sameness. Difficult questions about where ‘you’ end and ‘I’ begin are raised. Though Twins contains images of fraternal twins and triplets, Mark's subjects are, overwhelmingly, identical twins. She usually photographs them standing together, dressed in precisely the same way, in carefully constructed poses. This recreates the carnivalesque, performative aspect of Twins Day, held each year in Twinsburg, Ohio, in which the fact of being a twin (or in some cases triplet) is affirmed. Some identical twins choose to represent themselves as twins rather than solely as individuals, or as siblings who are also twins, in order to test out the limits of individuality. Here, I consider the ways in which such a chosen celebratory representation challenges different ways in which identical twins have been conceived of, which emphasise instead alterity and uncanniness.

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