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Abject Afrikaner, Iconoclast Trekker: Peter Van Heerden’s Performance Interventions within the Laagers of White Masculinity
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Abject Afrikaner, Iconoclast Trekker: Peter Van Heerden’s Performance Interventions within the Laagers of White Masculinity (2012)Abject Afrikaner, Iconoclast Trekker: Pet…On Shame And The Search For Identity (2013)On Shame And The Search For I…Performing South Africa's Truth Commission: Stages of Transition (2009)Performing South Africa's Tru…Claiming Cultural Festivals: Playing for power at the Klein Karoo Nasionale Kunstefees (KKNK) (2004)Claiming Cultural Festivals: …Language in South Africa (2002)Language in South AfricaShame theory, therapy, theology (2000)Shame theory, therapy, theolo…(Post) colonial stages : critical & creative views on drama, theatre & performance (1999)(Post) colonial stages : crit…Post-colonial Drama:Theory, Practice, Politics (1998)Post-colonial Drama:Theory, P…The Development of Afrikaans (1993)The Development of AfrikaansThe empire writes back: theory and practice in post-colonial literatures (1990)The empire writes back: theor…Powers of Horror: An Essay on Abjection (1984)Powers of Horror: An Essay on…The Ritual Process: Structure and Anti-Structure (1976)The Ritual Process: Structure…Assessing the Impact of Hallmark Events: Conceptual and Research Issues (1984)Journal of travel research (1988)Festivals, special events, and tourism (1990)Die opkoms, dinamika en betekenis van die Klein Karoo Nasionale Kunstefees: 1995-2005 (2005)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Toward a Topography of Cross-Cultural Theatre Praxis (2002)Dancing Postcolonialism (2007)The Cambridge Introduction to Postcolonial Literatures in English (2007)Theatre of the oppressed (2020)NamibianKiche Duits: The Making (and Decline) of a Neo-African Language (2009)Executive coaching in diversity from the systems psychodynamic perspective (2012)Language and thought in a multilingual context: The case of isiXhosa (2013)The Real Self: From Institution to Impulse (1976)Emotion and Social Life: A Symbolic Interactionist Analysis (1979)The Role of Shame in Symptom Formation (1988)Rethinking ethnography: Towards a critical cultural politics (1991)The Angel of Progress: Pitfalls of the Term "Post-Colonialism" (1992)The Post-Colonial Studies Reader (1996)Globalization and Religious Nationalism: Self, Identity, and the Search for Ontological Security (2004)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Hydraulic City (2017)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The four elementary forms of sociality: Framework for a unified theory of social relations. (1992)Boundary Crossing and Boundary Objects (2011)Electing the ‘alliance of the accused’: the success of the Jubilee Alliance in Kenya's Rift Valley (2013)The Puzzle of Extra-Lethal Violence (2013)Performances of Injustice (2018)The Relationship among Shame, Guilt, and Self-Efficacy (2006)A Theoretical Test of Bullying Behavior: Parenting, Personality, and the Bully/Victim Relationship (2009)Coping with guilt and shame in the impulse buying context (2011)Reinventing Pronoun Gender (2009)Future Tense and Economic Decisions: Controlling for Cultural Evolution (2015)Negative Concord is syntactic agreement (2022)
this work references cited by second hop

References

  • 1984Powers of Horror: An Essay on Abjection7,345 cited
  • 1976The Ritual Process: Structure and Anti-Structure6,725 cited
  • 1990The empire writes back: theory and practice in post-colonial literatures1,639 cited
  • 2013On Shame And The Search For Identity571 cited
  • 1998Post-colonial Drama:Theory, Practice, Politics294 cited
  • 1993The Development of Afrikaans261 cited
  • 2009Performing South Africa's Truth Commission: Stages of Transition245 cited
  • 2000Shame theory, therapy, theology132 cited
  • 2002Language in South Africa78 cited
  • 2004Claiming Cultural Festivals: Playing for power at the Klein Karoo Nasionale Kunstefees (KKNK)10 cited
  • 1999(Post) colonial stages : critical & creative views on drama, theatre & performance7 cited

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