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"La Supposition" and the Changing Concept of Dissonance in Baroque Theory · Study

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Article"La Supposition" and the Changing Concept of Dissonance in Baroque Theory

Unknown author1971

Article1971

"La Supposition" and the Changing Concept of Dissonance in Baroque Theory

Unknown author

11 citations·0/0 files stored·Journal of the American Musicological Society

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

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References

1989Die Musik in Geschichte und Gegenwart 1988Cyclopædia, or, An universal dictionary of arts and sciences 1967Le Istitutioni Harmoniche 1826Dictionnaire de musique 1806A dictionary of arts and sciences 1967Dimostrationi Harmoniche 1968The art of counterpoint 1992Traité de l'harmonie

Cited by

1994Base d'harmonie: A Scene from Eighteenth-Century French Music Theory 2003HEAVENLY Dissonances: THE CADENTIAL Six-Four CHORD IN FRENCHGRANDS MOTETSAND Rameau's THEORY OF THEACCORD PAR SUPPOSITION 2016Rameau’s Theory of Supposition and French Baroque Harmonic Practice

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Details

Year1971

Typearticle

Published1971-01-01

VenueJournal of the American Musicological Society

ISSN-L0003-0139

Languageen

Citations11

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.1525/jams.1971.24.1.03a00030

openalex_workW2006392352

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