Notes towards a Performance Theory of Orature

Ngũgĩ wa Thiong’o

107 citations0/0 files storedPerformance Research

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Arts and Performance Studies Theatre and Performance Studies Sound Studies and Aurality

Abstract

The rise of Performance Studies in the academy, a rise that begins with Richard Schechner and company when they transformed the graduate theatre studies at NYU into a Department of Performance Stud...

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 107 citations exist upstream.

Cited by

2015The Multilingual Local in World Literature 2015Tellings and Texts 2012Folklore and Literature 2011Arresting Time, Resisting Arrest: Narrative Time and the African Dictator in Ngũgĩ wa Thiong'o's Wizard of the Crow 2022Theaterwissenschaft postkolonial/dekolonial 2013The Great Unwritten: World Literature and the Effacement of Orality 2017Decolonising Theatre and Performance Studies 20159. Listening for the Context: Tuning in to the Reception of Riti Poetry1

Imported from OpenAlex (CC0) — nothing here is generated.