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Scholarly monographs on rock music: a bibliographic essay
16 references·0 citing·22 second hop
Scholarly monographs on rock music: a bibliographic essay (2008)Scholarly monographs on rock music: a bib…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Heavy Metal: The Music And Its Culture (2009)Heavy Metal: The Music And It…Understanding Popular Music (2003)Understanding Popular MusicReading the romance (2002)Reading the romanceThe New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Rhythm and Noise: An Aesthetics of Rock (1996)Rhythm and Noise: An Aestheti…Performing Rites (1996)Performing RitesRunning with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Feminine Endings: Music, Gender, and Sexuality (1992)Feminine Endings: Music, Gend…Studying Popular Music (1990)Studying Popular MusicOn Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Music for pleasure: essays in the sociology of pop (1989)Music for pleasure: essays in…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Rocking Around the Clock: Mus…Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Reading the Romance: Women, P…Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Think Practically and Look Locally: Language and Gender as Community-Based Practice (1992)How Consumers Consume: A Typology of Consumption Practices (1995)Autoethnography: An Overview (2010)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)The Mediatization of Society (2008)Handbook of Emotions (1993)In Search of Authenticity* (2005)
this work references cited by second hop

References

  • 1985Reading the Romance: Women, Patriarchy, and Popular Literature.2,910 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1996Performing Rites1,123 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1992Feminine Endings: Music, Gender, and Sexuality828 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1990Studying Popular Music606 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 2009Heavy Metal: The Music And Its Culture403 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 2002Reading the romance380 cited
  • 1987Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture353 cited
  • 1989Music for pleasure: essays in the sociology of pop311 cited
  • 2003Understanding Popular Music309 cited

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