Articlediamond2009

Zgodovina recepcije in travma resnične zgodovine: dekodiranje pantomime v Haydnovi "Simfoniji slovesa"

10 citations0/0 files storedMusicological Annual

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Musicology and Musical Analysis Visual Culture and Art Theory Literature, Musicology, and Cultural Analysis

Abstract

Haydnova vključitev pantomime v finale »Simfonije slovesa« predstavlja radikalno kršitev splošnih pričakovanj, podobno kot Beethovnova uvedba zbora v IX. Simfonijo, pa vendar ni še nobeden analiziral te pantomime ali dekodiral njene pomene. Zgodovina recepcije te skladbe vsiljuje misel o paradoksalni mešanici stopnjevanja zgodovinskega spominjanja in nekakšne hotene amnezije.

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References

1982The Political Unconscious: Narrative as a Socially Symbolic Act 1982The Political Unconscious. Narrative as a Socially Symbolic Act.2014Remembering, Repeating, and Working Through 1983Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni 1991Haydn's 'Farewell' Symphony and the Idea of Classical Style 2004The Oxford history of western music 2007HEROIC HAYDN, THE OCCASIONAL WORK AND ‘MODERN’ POLITICAL MUSIC 2004Toward the Postmodern:

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