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Abstract This study untangles the complex literary, historical, political and theatrical web of Verdi, Solera, Zacharias Werner, Madame De Staël and Giuseppe Mazzini, and relates it to Verdi's use of light and dark imagery in Werner's play.
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Stored only when both papers are in the corpus — 2 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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