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Salsiology: Afro-Cuban Music and the Evolution of Salsa in New York City
0 references·13 citing·42 second hop
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Cited by

  • 1999'SALSA NO TIENE FRONTERA': ORQUESTA DE LA LUZ AND THE GLOBALIZATION OF POPULAR MUSIC32 cited
  • 2007THE SALSA CLASS: A COMPLEXITY OF GLOBALIZATION, COSMOPOLITANS AND EMOTIONS32 cited
  • 2013‘Cocolos Modernos’: Salsa, Reggaetón, and Puerto Rico's Cultural Politics of Blackness24 cited
  • 2021Black Feminist Rumba Pedagogies20 cited
  • 2008El Gran Combo, Cortijo, and the Musical Geography of Cangrejos/Santurce, Puerto Rico18 cited
  • 2003Amalgamating Musics12 cited
  • 2002The Influences of Hispanic Music Cultures on African-American Blues Musicians10 cited
  • 2013Salsa Dance as Cosmopolitan Formation: Cooperation, Conflict and Commerce in the Midwest United States8 cited
  • 2003“Con Sabor a Puerto Rico”8 cited
  • 2008The Politics of Afrocuban Cultural Expression in New York City7 cited
  • 2005Music and the (Re)creation of Latino Culture in Japan17 cited
  • 2018The Cambridge Encyclopedia of Brass Instruments5 cited
  • 2011EIGHTY-EIGHT DRUMS: THE PIANO AS PERCUSSION INSTRUMENT IN JAZZ3 cited

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