The Critic as Consumer: Film Study in the University, "Vertigo", and the Film Canon

Abstract

The recent rise of Hitchcock's film to canonical status signifies class interests at work in the tastes of film scholars.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 39 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.