The Large-Scale Formal Role of the Solo Entry Theme in the Eighteenth-Century ConcertoJoel Galand2000-10-01articleJournal of Music Theory16 citationsclosedNo readable copy stored yet — this record is metadata only.Musicology and Musical AnalysisDiverse Music Education InsightsLiterature, Musicology, and Cultural AnalysisAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 16 citations exist upstream.References1991Phrase Rhythm in Tonal Music1969Musical Form and Musical Performance1996Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation1971Musical Form and Musical Performance1972Guidelines for Style Analysis1997The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition1989The Bifocal Close and the Evolution of the Viennese Classical Style1994Brahms and Schenker: A Mutual Response to Sonata Form