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Use of Imaging Spectroscopy and in situ Analytical Methods for the Characterization of the Materials and Techniques of 15th Century Illuminated Manuscripts
16 references·7 citing·35 second hop
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References

  • 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation496 cited
  • 2006Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications363 cited
  • 2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
  • 2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
  • 1998Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis143 cited
  • 1960The craftsman's handbook : the Italian "Il libro dell' arte"120 cited
  • 2012Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts108 cited
  • 1999Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry101 cited
  • 2008The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts86 cited
  • 2007Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy78 cited
  • 1995Fibre optics applications to works of art72 cited
  • 2005Scientific Examination of Art: Modern Techniques in Conservation and Analysis71 cited
  • 1995Pigment identification on medieval manuscripts by Raman microscopy

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71 cited
  • 2001The analysis of medieval European manuscripts68 cited
  • 2004Analysis of key Anglo‐Saxon manuscripts (8–11th centuries) in the British Library: pigment identification by Raman microscopy68 cited
  • 1999Image spectroscopy mapping technique for noninvasive analysis of paintings67 cited
  • Cited by

    • 2018Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts24 cited
    • 2018Multianalytical approach for the analysis of the Codices Millenarius Maior and Millenarius Minor in Kremsmuenster Abbey, Upper Austria23 cited
    • 2014Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes21 cited
    • 2016High-resolution, three-dimensional imaging of pigments and support in paper and textiles19 cited
    • 2016The Noninvasive Analysis of Painted Surfaces: Scientific Impact and Conservation Practice16 cited
    • 2018Uncovering the Oppenheimer Siddur: using scientific analysis to reveal the production process of a medieval illuminated Hebrew manuscript12 cited
    • 2016Estimation of semiconductor-like pigment concentrations in paint mixtures and their differentiation from paint layers using first-derivative reflectance spectra11 cited