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Innovation, Choice, and the History of Music
0 references·14 citing·17 second hop
Innovation, Choice, and the History of Music (1983)Innovation, Choice, and the History of Mu…Structure and Feeling in Jazz: Rethinking Philosophical Foundations (2016)Structure and Feeling in Jazz…Tonal strategies in the nineteenth-century symphony (2013)Tonal strategies in the ninet…The Viennese symphony 1750 to 1827 (2013)The Viennese symphony 1750 to…The symphony since Mahler: national and international trends (2013)The symphony since Mahler: na…The symphony in Britain: guardianship and renewal (2013)The symphony in Britain: guar…The Cambridge Companion to the Symphony (2013)The Cambridge Companion to th…Other classical repertories (2013)Other classical repertoriesIntroduction: understanding the symphony (2013)Introduction: understanding t…Harmonies and effects: Haydn and Mozart in parallel (2013)Harmonies and effects: Haydn …Cyclical thematic processes in the nineteenth-century symphony (2013)Cyclical thematic processes i…Beethoven’s shadow: the nineteenth century (2013)Beethoven’s shadow: the ninet…Musicians' Attitudes to Musical Influence (2011)Musicians' Attitudes to Music…Schubert's “die liebe hat gelogen”: The deception of mode and mixture† (1989)Schubert's “die liebe hat gel…Le paradoxe du sociologue (1988)Le paradoxe du sociologueThe Anxiety of Influence: A Theory of Poetry (1974)Surveys in Social Research (1987)Mail and internet surveys : the tailored design method (2007)The origins of intelligence in children. (1952)The Psychological Birth of the Human Infant (1976)Feeling and thinking: Preferences need no inferences. (1980)Utilizing Elements of the Historic Jazz Culture in a High School Setting (2008)What Research Reveals About School Jazz Education (2014)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The New Grove dictionary of music and musicians (2001)Introduction to the Sociology of Music. (1977)Les Grecs ont-ils cru à leurs mythes ? (1983)Music, the Arts, and Ideas (1994)Comment on écrit l’histoire (2015)The Cambridge Companion to the Eroica Symphony (2020)Von der langsamen Einleitung zur Schlussapotheose. Die zwei Typen der Moll- Dur-Dramaturgie in Pariser Opernouvertüren des späten 18. Jahrhunderts und ihre Relevanz für Beethoven (2020)Music and the Agents of Obsession (2016)
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Cited by

  • 2013The Viennese symphony 1750 to 182735 cited
  • 2013The Cambridge Companion to the Symphony22 cited
  • 2016Structure and Feeling in Jazz: Rethinking Philosophical Foundations9 cited
  • 1988Le paradoxe du sociologue6 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
  • 2013Other classical repertories4 cited
  • 2011Musicians' Attitudes to Musical Influence4 cited
  • 2013The symphony in Britain: guardianship and renewal3 cited
  • 2013Introduction: understanding the symphony3 cited
  • 2013Beethoven’s shadow: the nineteenth century3 cited
  • 1989Schubert's “die liebe hat gelogen”: The deception of mode and mixture†3 cited
  • 2013The symphony since Mahler: national and international trends2 cited
  • 2013Harmonies and effects: Haydn and Mozart in parallel2 cited
  • 2013Tonal strategies in the nineteenth-century symphony2 cited

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