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Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry
16 references·0 citing·26 second hop
Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry (2013)Identification of indigoid compounds pres…Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make? (2012)Aged Natural and Synthetic Ma…Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Vibrational investigation of …Insights into the Maya Blue Technology: Greenish Pellets from the Ancient City of La Blanca (2011)Insights into the Maya Blue T…From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles (2011)From Maya Blue to “Maya Yello…A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)A combined synchrotron powder…Gas chromatography–mass spectrometric analysis of products from on-line pyrolysis/silylation of plant gums used as binding media (2008)Gas chromatography–mass spect…Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Pre-columbian nanotechnology:…Indigo/Dehydroindigo/Palygorskite Complex in Maya Blue: An Electrochemical Approach (2007)Indigo/Dehydroindigo/Palygors…Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Chemometric Study of Maya Blu…Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach (2006)Dehydroindigo: A New Piece in…Crystal structure refinement of Maya Blue pigment prepared with deuterated indigo, using neutron powder diffraction (2006)Crystal structure refinement …Maya Blue: A Computational and Spectroscopic Study (2005)Maya Blue: A Computational an…Identification of natural dyes used in works of art by pyrolysis–gas chromatography/mass spectrometry combined with in situ trimethylsilylation (2005)Identification of natural dye…Microanalysis study of archaeological mural samples containing Maya blue pigment (2004)Microanalysis study of archae…Analysis of anthraquinoid and indigoid dyes used in ancient artistic works by thermally assisted hydrolysis and methylation in the presence of tetramethylammonium hydroxide (2000)Analysis of anthraquinoid and…De Bonampak al Templo Mayor: el azul maya en Mesoamérica (1993)De Bonampak al Templo Mayor: …Maya Blue: A Clay-Organic Pigment? (1966)Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)The Maya Blue Pigment (2011)Surface‐enhanced Raman spectroscopy spectra of Mexican dyestuffs (2012)Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)Painting Materials : a Short Encyclopedia (1943)The Organic Chemistry of Museum Objects (1988)Characterization of acrylic resins used for restoration of artworks by pyrolysis-silylation-gas chromatography/mass spectrometry with hexamethyldisilazane (2006)Painting Materials: A Short Encyclopedia (2011)Characterization of natural organic colorants in historical and art objects by high‐performance liquid chromatography (2014)A New Methodology for the Characterisation of Natural Dyes on Museum Objects Using Gas Chromatography–Mass Spectrometry (2017)Maya Blue Paint: An Ancient Nanostructured Material (1996)The colour of ochres explained by their composition (2005)Voltammetric methods applied to identification, speciation, and quantification of analytes from works of art: an overview (2009)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)Identification of anthraquinone coloring matters in natural red dyes by electrospray mass spectrometry coupled to capillary electrophoresis (2003)Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China (2004)Florentine Codex: General history of the things of New Spain (1950)In situ Raman and IR spectroscopic analysis of indigo dye (2010)Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)Pigments—the palette of organic colourants in wall paintings (2021)Blue natural organic dyestuffs—from textile dyeing to mural painting. Separation and characterization of coloring matters present in elderberry, logwood and indigo (2006)The first direct evidence for the production of Maya Blue: rediscovery of a technology (2008)
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References

  • 2005Maya Blue: A Computational and Spectroscopic Study163 cited
  • 2007Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment110 cited
  • 2006Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach108 cited
  • 2009A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue100 cited
  • 2007Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach77 cited
  • 2007Indigo/Dehydroindigo/Palygorskite Complex in Maya Blue: An Electrochemical Approach67 cited
  • 2004Microanalysis study of archaeological mural samples containing Maya blue pigment66 cited
  • 2011From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles61 cited
  • 2000Analysis of anthraquinoid and indigoid dyes used in ancient artistic works by thermally assisted hydrolysis and methylation in the presence of tetramethylammonium hydroxide61 cited
  • 2005Identification of natural dyes used in works of art by pyrolysis–gas chromatography/mass spectrometry combined with in situ trimethylsilylation55 cited
  • 2008Gas chromatography–mass spectrometric analysis of products from on-line pyrolysis/silylation of plant gums used as binding media54 cited
  • 1993De Bonampak al Templo Mayor: el azul maya en Mesoamérica48 cited
  • 2006Crystal structure refinement of Maya Blue pigment prepared with deuterated indigo, using neutron powder diffraction

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46 cited
  • 2011Insights into the Maya Blue Technology: Greenish Pellets from the Ancient City of La Blanca45 cited
  • 2011Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue44 cited
  • 2012Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make?41 cited
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