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Doin’ damage in my native language: The use of “resistance vernaculars” in hip hop in France, Italy, and Aotearoa/New Zealand
4 references·16 citing·45 second hop
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this work references cited by second hop

References

  • 1986Kafka: Toward a Minor Literature2,522 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 2003Global noise - Rap and Hip-Hop outside the USA374 cited
  • 1988Kafka: Toward a Minor Literature248 cited

Cited by

  • 2013Languages of Global Hip Hop141 cited
  • 2010The Wordy Worlds of Popular Music in Eastern and Southern Africa: Possible Implications for Language-in-Education Policy103 cited
  • 2012Talkin' 'bout the Ghetto: Popular Culture and Urban Imaginaries of Immobility89 cited
  • 2012Languages of Global Hip Hop75 cited
  • 2006Australian Hip Hop: A Sociolinguistic Investigation71 cited
  • 2007Defining the Groove: From Remix to Research in The Beat of Boyle Street63 cited
  • 2007Hip‐Hop Language in Sociolinguistics and Beyond51 cited
  • 2019Flow50 cited
  • 2003Australian Hip Hop as a Subculture44 cited
  • 2008Translation and Code Switching in the Lyrics of Bilingual Popular Songs32 cited
  • 2013Music, identity, and musical ethnocentrism of young people in six A sian, L atin A merican, and W estern cultures30 cited

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2010
Contesting the Global Consumption Ethos: Reterritorialization of Rock in Turkey
24 cited
  • 2009Hip-hop in a Post-insular Community23 cited
  • 2014Plesand Popular Music Production: A Typology of Home-based Recording Studios in Port Moresby, Papua New Guinea22 cited
  • 2010Dancing to the beat of the diaspora: musical exchanges between Africa and its diasporas21 cited
  • 2007Lost in Translation: Filipino Diaspora(s), Postcolonial Hip Hop, and the Problems of Keeping It Real for the "Contentless" Black Eyed Peas21 cited