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Forces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music
0 references·16 citing·38 second hop
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  • 2008Metaphor and music107 cited
  • 2014Let’s Talk Music: A Corpus-Based Account of Musical Motion75 cited
  • 2003The Metaphor of Musical Space65 cited
  • 2009Musical Metaphors in Serbian and Romani Children: An Empirical Study57 cited
  • 2019“Hearing music as . . .”: Metaphors evoked by the sound of classical music.51 cited
  • 2021Music Theory’s Therapeutic Imperative and the Tyranny of the Normal26 cited
  • 2011Schenker and Schoenberg on the Will of the Tone25 cited
  • 2011Contextual-Inversion Spaces25 cited
  • 2002Some Non-Isomorphisms between Pitch and Time24 cited
  • 2015Social distance and the multimodal construction of the Other in sectarian song22 cited
  • 2011Introduction21 cited
  • 2023Translating musical meaning19 cited
  • 2019Film as Embodied Art16 cited
  • 2016Representing the Extraordinary Body13 cited
  • 2006Journal of Music Theoryover the Years13 cited
  • 2002T he M usical O bject R evisited

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12 cited