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Artist policy in Finland and Norway: A comparison of two schemes of direct Support for artists1
12 references·2 citing·37 second hop
Artist policy in Finland and Norway: A comparison of two schemes of direct Support for artists1 (2000)Artist policy in Finland and Norway: A co…Cultural Policy in Finland (2001)Cultural Policy in FinlandThe Field of Cultural Production: Essays on Art and Literature (1996)The Field of Cultural Product…Economics of the arts : selected essays (1996)Economics of the arts : selec…Does public support make a difference, and for whom? (1996)Does public support make a di…Evaluating the effects of direct support on the economic situation of artists (1995)Evaluating the effects of dir…Cultural Economics And Cultural Policies (1994)Cultural Economics And Cultur…A Work-Preference Model of Artist Behaviour (1994)A Work-Preference Model of Ar…Why and How to Define an Artist: Types of Definitions and Their Implications for Empirical Research Results (1992)Why and How to Define an Arti…Toward a Unified Theory of the Determinants of the Earnings of Artists (1992)Toward a Unified Theory of th…Classification in Art (1987)Classification in ArtThe field of cultural production, or: The economic world reversed (1983)The field of cultural product…Cultural Property and Public Policy: Emerging Tensions in Government Support for the Arts (1978)Cultural Property and Public …The Devaluation of the artist (2022)The Devaluation of the artistDo Artists Benefit from Arts Policy? The Position of Performing Artists in Flanders (2001–2008) (2010)Do Artists Benefit from Arts …Entrepreneurship as a non-profit-seeking activity (2006)Preferred work patterns of creative artists (2007)Significado do trabalho nas indústrias criativas (2011)The Economics Of The Arts (2019)Intellectual field and creative project (1969)The production of belief: contribution to an economy of symbolic goods (1980)The Social Production of Art (1981)Collective reproduction through individual efforts: The location of Norwegian artists in the income hierarchy (1997)Poor artists in a welfare state: A study in the politics and economics of symbolic rewards1 (2000)Ut Pictura Poesis: The Humanistic Theory of Painting (1940)Art As Collective Action (1974)Towards a Reflexive Sociology: A Workshop with Pierre Bourdieu (1989)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Does Social Capital Have an Economic Payoff? A Cross-Country Investigation (1997)The Information Age: Economy, Society and Culture (1999)Governmentality: power and rule in modern society (2010)Using the Arts to Pay for the Arts: A Proposed New Public Funding Model (2012)A processual view of organizational stigmatization in foreign market entry: The failure of Guggenheim Helsinki (2020)Pursuing decentralisation: regional cultural policies in Finland and Sweden (2021)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Subculture: The Meaning of Style (1995)Culture, Class, and Connections (1996)Legitimacy as a Social Process (2006)Selections from the prison notebooks (2020)The fourth pillar of sustainability: culture’s essential role in public planning (2001)The Mediatization of Society (2008)The Constant Comparative Analysis Method Outside of Grounded Theory (2015)The Declining Price Anomaly in Dutch Dutch Rose Auctions (2001)Chapter 23 Artists' Careers and Their Labor Markets (2006)Chapter 25 Stardom and Talent (2006)The happy artist: an empirical application of the work-preference model (2012)Who Goes Freelance? The Determinants of Self-Employment for Artists (2017)On Pierre BourdieuReproduction in Education, Society and Culture.Pierre Bourdieu , Jean-Claude Passeron , Richard NiceOutline of a Theory of Practice.Pierre Bourdieu , Richard Nice (1979)Corporations and the Corporate Elite (1980)Advances in the empirical sociology of literature and the arts: The institutional approach (1983)Culture, economics and sustainability (1995)
this work references cited by second hop

References

  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 1983The field of cultural production, or: The economic world reversed1,362 cited
  • 1987Classification in Art1,214 cited
  • 1994A Work-Preference Model of Artist Behaviour159 cited
  • 1994Cultural Economics And Cultural Policies127 cited
  • 1996Economics of the arts : selected essays121 cited
  • 1992Toward a Unified Theory of the Determinants of the Earnings of Artists55 cited
  • 2001Cultural Policy in Finland31 cited
  • 1978Cultural Property and Public Policy: Emerging Tensions in Government Support for the Arts26 cited
  • 1992Why and How to Define an Artist: Types of Definitions and Their Implications for Empirical Research Results18 cited
  • 1995Evaluating the effects of direct support on the economic situation of artists14 cited
  • 1996Does public support make a difference, and for whom?10 cited

Cited by

  • 2010Do Artists Benefit from Arts Policy? The Position of Performing Artists in Flanders (2001–2008)8 cited
  • 2022The Devaluation of the artist4 cited

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