Les peintures schématiques postglaciaires du Sud-Est de la France : analyses pigmentaires

Philippe Hameau · Michel Menu · Marie-Pierre Pomiès · Philippe Walter

12 citations0/0 files storedBulletin de la Société préhistorique française

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cultural Heritage Materials Analysis Archaeological and Geological Studies Archaeology and Rock Art Studies

Abstract

ABSTRACT The painted schematic art of the Chalcolithic period is the expression of its authors' philosophical beliefs but varies considerably according to local characteristics. The study of particularisms frequently allows an approach of ritual practices related to paintings. Analysis of the pigments choosen by the artists shows that there was a great diversity in drawing materials, even if the number of colours used was limited. Some modern over-paintings executed with lead and zinc have been detected.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 12 citations exist upstream.

References

1992Les parures du Midi méditerranéen du Néolithique ancien à l'Age du Bronze : origine et circulation des matières premières

Cited by

2009Site, support et signe : une cohérence de sens. L’expression graphique picturale au Néolithique

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.