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‘Le théâtre ne change qu'à la troisième scène’: the hand of the author and unity of place in Act V of Hippolyte et Aricie
4 references·2 citing·15 second hop
‘Le théâtre ne change qu'à la troisième scène’: the hand of the author and unity of place in Act V of Hippolyte et Aricie (1998)‘Le théâtre ne change qu'à la troisième s…Hippolyte et Aricie (1995)Hippolyte et AricieMaking connections: thoughts on Lully's entr'actes (1993)Making connections: thoughts …Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France. (1988)Theatrical Legitimation: Alle…Rameau, Pellegrin and the Opera: The Revisions of 'Hippolyte et Aricie' during Its First Season (1983)Rameau, Pellegrin and the Ope…Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment (2013)Dramatic Expression in Rameau…Opera in Paris from Campra to Rameau (2009)Opera in Paris from Campra to…Music in European Capitals: The Galant Style, 1720-1780 (2003)The Birth of the Orchestra (2004)The birth of the orchestra: history of an institution, 1650-1815 (2005)Feminine Endings: Music, Gender, and Sexuality (1992)Rameau and Musical Thought in the Enlightenment (1994)French Baroque music from Beaujoyeulx to Rameau (1998)Remaking a cultural icon: Phèdre and the operatic stage (1998)What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs (1999)Dance and drama in French baroque opera a history (2016)Dance and Drama in French Baroque Opera (2016)Bifold Authority in Shakespeare's Theatre (1988)Gender, theatre, and the origins of criticism from Dryden to Manley (2002)Shakespeare and the Publication of His Plays (2002)Pellegrin, opera and tragedy (1998)Structure and expression in the scènes of Rameau's Hippolyte et Aricie (1998)
this work references cited by second hop

References

  • 1988Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France.34 cited
  • 1993Making connections: thoughts on Lully's entr'actes24 cited
  • 1983Rameau, Pellegrin and the Opera: The Revisions of 'Hippolyte et Aricie' during Its First Season11 cited
  • 1995Hippolyte et Aricie7 cited

Cited by

  • 2013Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment4 cited
  • 2009Opera in Paris from Campra to Rameau2 cited

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