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Globalization and hybridization in cultural products
16 references·11 citing·32 second hop
Globalization and hybridization in cultural products (2005)Globalization and hybridization in cultur…The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism (2018)The Postcolonial Aura: Third …Debating Cultural Hybridity (2015)Debating Cultural HybridityThe Location of Culture (2012)The Location of CultureTaiwan Film Directors: A Treasure Island (2005)Taiwan Film Directors: A Trea…Recentering Globalization: Popular Culture and Japanese Transnationalism (2002)Recentering Globalization: Po…Recentering Globalization (2002)Recentering GlobalizationHybridity in Cultural Globalization (2002)Hybridity in Cultural Globali…Understanding Disney: The Manufacture of Fantasy (2001)Understanding Disney: The Man…The Turbulence of Migration: Globalization, Deterritorialization and Hybridity (2001)The Turbulence of Migration: …The Lexus and the Olive Tree (1999)The Lexus and the Olive TreeStorytelling in the New Hollywood (1999)Storytelling in the New Holly…Hybrid cultures: strategies for entering and leaving modernity (1996)Hybrid cultures: strategies f…Globalization as Hybridization (1995)Globalization as HybridizationThe Postcolonial Aura: Third World Criticism in the Age of Global Capitalism (1994)The Postcolonial Aura: Third …The world in creolisation (1987)The world in creolisation“Mass” in Communication Research (1979)“Mass” in Communication Resea…Neon signs and the red-light district of Hong Kong: from the 1960s to the present (2026)Neon signs and the red-light …Reality & Effect: A Cultural History of Visual Effects (2022)Reality & Effect: A Cultural …Hybridising the cultural identity of Mulan from a Chinese ballad to American films (2022)Hybridising the cultural iden…Cultural “Authenticity” as a Conflict-Ridden Hypotext: Mulan (1998), Mulan Joins the Army (1939), and a Millennium-Long Intertextual Metamorphosis (2020)Cultural “Authenticity” as a …Year Zero o cómo Nine Inch Nails rompió las barreras de Europa con una experiencia narrativa (2017)Year Zero o cómo Nine Inch Na…Latin American contraflow in global entertainment media: Kingdom Rush series and Zambo Dende as de-localised media products (2017)Latin American contraflow in …The Sacred Power of Lego-Chi (2016)The Sacred Power of Lego-ChiIndigenization, Indigenous Social Work and Decolonization: Mapping the Theoretical Terrain (2013)Indigenization, Indigenous So…Cultural deformations and reformulations: a case study of Disney'sMulanin English and Chinese (2013)Cultural deformations and ref…Designing Contemporary China: National Design Identity at the Crossroads (2010)Designing Contemporary China:…Go West: The Growth of Bollywood (2009)Go West: The Growth of Bollyw…Notes towards the definition of culture (1948)Europe and the People without History (1984)Disjuncture and Difference in the Global Cultural Economy (1990)Disjuncture and Difference in the Global Cultural Economy (1990)World Society and the Nation‐State (1997)Popular Culture in Early Modern Europe (2017)Rethinking authenticity in tourism experience (1999)Discourse Analysis as Theory and Method (2002)The New Mobilities Paradigm (2006)Moving cultures: The perilous problems of cultural dichotomies in a globalizing society. (1998)Transnational Migration Studies: Past Developments and Future Trends (2007)Normative theories of the media: journalism in democratic societies (2009)Millennial Capitalism: First Thoughts on a Second Coming (2000)Plan 9 From Cyberspace: The Implications of the Internet for Personality and Social Psychology (2000)What to do when Stakeholders matter (2004)Past Postmodernism? Reflections and Tentative Directions (1999)Two or Three Things that I Know about Culture (1999)Subjects of Empire: Indigenous Peoples and the ‘Politics of Recognition’ in Canada (2007)Immigrants at the Margins: Law, Race, and Exclusion in Southern Europe (2005)INTEGRATION NATIONS: THE NATION-STATE AND RESEARCH ON IMMIGRANTS IN WESTERN EUROPE (2005)Religion and Globalization (2007)Multiple Proximities between Television Genres and Audiences (2005)A Cultural Approach to Branding in the Global Marketplace (2008)Asian Brands and the Shaping of a Transnational Imagined Community (2008)Rethinking Globalization: Glocalization/Grobalization and Something/Nothing (2003)Self, Identity, and Globalization in Times of Uncertainty: A Dialogical Analysis (2007)Spirituality: The Emergence of a New Cultural Category and its Challenge to the Religious and the Secular (2014)Those Naughty Teenage Girls: Japanese Kogals, Slang, and Media Assessments (2004)‘New Shanghailanders’ or ‘New Shanghainese’: Western Expatriates' Narratives of Emplacement in Shanghai (2010)Living in a Global World: Influence of Consumer Global Orientation on Attitudes toward Global Brands from Developed versus Emerging Countries (2012)Diasporas (1994)The Multi/Plural Turn, Postcolonial Theory, and Neoliberal Multiculturalism: Complicities and Implications for Applied Linguistics (2014)
this work references cited by second hop

References

  • 2012The Location of Culture17,820 cited
  • 1996Hybrid cultures: strategies for entering and leaving modernity2,051 cited
  • 1999The Lexus and the Olive Tree1,778 cited
  • 1994The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism820 cited
  • 2018The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism786 cited
  • 2002Recentering Globalization719 cited
  • 1995Globalization as Hybridization605 cited
  • 1987The world in creolisation601 cited
  • 2001The Turbulence of Migration: Globalization, Deterritorialization and Hybridity579 cited
  • 2002Recentering Globalization: Popular Culture and Japanese Transnationalism549 cited
  • 2002Hybridity in Cultural Globalization386 cited
  • 2015Debating Cultural Hybridity385 cited
  • 2001Understanding Disney: The Manufacture of Fantasy321 cited
  • 2005Taiwan Film Directors: A Treasure Island105 cited
  • 1979“Mass” in Communication Research78 cited
  • 1999Storytelling in the New Hollywood75 cited

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Cited by

  • 2013Cultural deformations and reformulations: a case study of Disney'sMulanin English and Chinese23 cited
  • 2020Cultural “Authenticity” as a Conflict-Ridden Hypotext: Mulan (1998), Mulan Joins the Army (1939), and a Millennium-Long Intertextual Metamorphosis17 cited
  • 2022Hybridising the cultural identity of Mulan from a Chinese ballad to American films16 cited
  • 2013Indigenization, Indigenous Social Work and Decolonization: Mapping the Theoretical Terrain14 cited
  • 2022Reality & Effect: A Cultural History of Visual Effects8 cited
  • 2009Go West: The Growth of Bollywood8 cited
  • 2017Latin American contraflow in global entertainment media: Kingdom Rush series and Zambo Dende as de-localised media products5 cited
  • 2026Neon signs and the red-light district of Hong Kong: from the 1960s to the present3 cited
  • 2016The Sacred Power of Lego-Chi2 cited
  • 2010Designing Contemporary China: National Design Identity at the Crossroads1 cited
  • 2017Year Zero o cómo Nine Inch Nails rompió las barreras de Europa con una experiencia narrativa1 cited