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“Life is short, art is long”: the persistent wage gap between Bohemian and non-Bohemian graduates
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References

  • 1973Job Market Signaling16,329 cited
  • 1974Schooling, Experience, and Earnings6,831 cited
  • 1965Human Capital. A Theoretical and Empirical Analysis, with Special Reference to Education5,146 cited
  • 2002The Rise of the Creative Class4,527 cited
  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2001Consumer city1,718 cited
  • 1997The Cultural Economy of Cities1,259 cited
  • 2001Creative Industries: Contracts between Art and Commerce1,210 cited
  • 2006Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists916 cited
  • 2008Inside the black box of regional development--human capital, the creative class and tolerance887 cited
  • 2015Occupational outlook handbook, 2014-2015821 cited
  • 1999ARTISTIC LABOR MARKETS AND CAREERS803 cited
  • 2008Who's your city?: how the creative economy is making where to live the most important decision of your life620 cited
  • 2007The Politics of Cultural Work556 cited
  • 2005Entrepreneurial Labor among Cultural Producers: “Cool” Jobs in “Hot” Industries475 cited
  • 2006Urban Resurgence and the Consumer City

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448 cited

Cited by

  • 2014STEM graduates, human capital externalities, and wages in the U.S.88 cited
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  • 2023Socially distanced artistic careers: Professional social interactions in early, established, and late career stages during COVID-1915 cited
  • 2015The exemplary economy: a Hunterian reading of the creative industries as educative project13 cited
  • 2025Don’t Shoot the Pianist: Creative Firms, Workers, and Neighborhood Gentrification7 cited
  • 2020Navigating a performance livelihood: career trajectories and transitions for the classical singer6 cited
  • 2018‘Young, Talented and Highly Mobile’: Exploring Creative Human Capital and Graduates Mobility in the UK6 cited
  • 2017Making cultural work visible in cultural policy5 cited