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Hollywood Narrative and the Play of Fantasy: David Lynch'sMulholland Drive
13 references·1 citing·35 second hop
Hollywood Narrative and the Play of Fantasy: David Lynch'sMulholland Drive (2011)Hollywood Narrative and the Play of Fanta…The Affective Turn (2007)The Affective TurnThe Cinema, or The Imaginary Man (2006)The Cinema, or The Imaginary …The Cinema of Attractions Reloaded (2006)The Cinema of Attractions Rel…The Dreams That Blister Sleep: Latent Content and Cinematic Form in Mulholland Drive (2005)The Dreams That Blister Sleep…The Slipstream of Mixed Reality: Unstable Ontologies and Semiotic Markers in The Thirteenth Floor, Dark City, and Mulholland Drive (2004)The Slipstream of Mixed Reali…Spectacular Failure: The Figure of the Lesbian in Mulholland Drive (2004)Spectacular Failure: The Figu…Lost on Mulholland Drive: Navigating David Lynch's Panegyric to Hollywood (2004)Lost on Mulholland Drive: Nav…The Art of the Ridiculous Sublime: On David Lynch's Lost Highway (2000)The Art of the Ridiculous Sub…States of fantasy (1996)States of fantasyEarly cinema: space, frame, narrative (1991)Early cinema: space, frame, n…Narrative, Apparatus, Ideology: A Film Theory Reader (1986)Narrative, Apparatus, Ideolog…THE LANGUAGE OF PSYCHOANALYSIS (1977)THE LANGUAGE OF PSYCHOANALYSISThe Fiction Film and Its Spectator: A Metapsychological Study (1976)The Fiction Film and Its Spec…Desire and Queer Adolescence: Céline Sciamma'sNaissance des Pieuvres (2017)Desire and Queer Adolescence:…Minima Moralia: Reflections from Damaged Life (1951)Tarrying with the Negative (1993)Transparency and Twist in Narrative Fiction Film (2006)The Four Fundamental Concepts of Psycho-Analysis (2018)“It’s No Longer Your Film”: Fictions of Authorship in Lynch’s Mulholland Drive (2019)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)Fiction Film and the Varieties of Empathic Engagement (2010)Géographie et cinéma : modes d'emploi (2014)Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)Screen Space Reconfigured (2020)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters (2012)Trends in the Turn to Affect (2014)Is Kinship Always Already Heterosexual? (2002)Love among the Ruins (2003)Historical Fantasy, Speculative Realism, and Postrace Aesthetics in Contemporary American Fiction (2011)Sexual scripts: Permanence and change (1986)Gender, Habitus and the Field (1999)Identity Workspaces: The Case of Business Schools (2010)Types and Sources of Spectating Pleasure in Televised Sports (1989)Theorizing without totalizing: Specularity and televised sports (1990)Role, play, and games: Comparison between role-playing games and role-play in education (2023)How Stories Make Us Feel: Toward an Embodied Narratology (2011)Media and the Imaginary in History (2014)The Empathic Screen (2019)The Death of the Subject in David Lynch’s Lost Highway and Mulholland Drive (2004)“The Coldest Weapon of All”: The Bond Girl Villain in James Bond Films (2009)Conceptualising the Global in the Wake of the Postmodern (2019)The Cambridge History of Twentieth-Century English Literature (2005)From Grain to Pixel (2011)Media archaeology as symptom (2016)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)
this work references cited by second hop

References

  • 2007The Affective Turn2,213 cited
  • 1977THE LANGUAGE OF PSYCHOANALYSIS1,004 cited
  • 1986Narrative, Apparatus, Ideology: A Film Theory Reader567 cited
  • 2006The Cinema of Attractions Reloaded454 cited
  • 1991Early cinema: space, frame, narrative202 cited
  • 1996States of fantasy145 cited
  • 2006The Cinema, or The Imaginary Man127 cited
  • 2000The Art of the Ridiculous Sublime: On David Lynch's Lost Highway83 cited
  • 1976The Fiction Film and Its Spectator: A Metapsychological Study44 cited
  • 2004Lost on Mulholland Drive: Navigating David Lynch's Panegyric to Hollywood37 cited
  • 2004Spectacular Failure: The Figure of the Lesbian in Mulholland Drive22 cited
  • 2005The Dreams That Blister Sleep: Latent Content and Cinematic Form in Mulholland Drive18 cited
  • 2004The Slipstream of Mixed Reality: Unstable Ontologies and Semiotic Markers in The Thirteenth Floor, Dark City, and Mulholland Drive14 cited

Cited by

  • 2017Desire and Queer Adolescence: Céline Sciamma'sNaissance des Pieuvres4 cited

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