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Aemilia Lanyer: gender, genre, and the canon
1 references·16 citing·37 second hop
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References

  • 2009Redeeming Eve. Women Writers of the English Renaissance147 cited

Cited by

  • 2006Public, Private, and the Household in Early Seventeenth-Century England78 cited
  • 2013Producing Women's Poetry, 1600-1730: Text and Paratext, Manuscript and Print71 cited
  • 2014Dispensing Quails, Mincemeat, Leaven: Katherine Parr’s Patronage of the Paraphrases of Erasmus55 cited
  • 2008The Poetry of Religious Sorrow in Early Modern England37 cited
  • 2003A Woman with Saint Peter's Keys?: Aemilia Lanyer's Salve Deus Rex Judaeorum (1611) and the Priestly Gifts of Women35 cited
  • 2000"Fast ti'd unto Them in a Golden Chaine": Typology, Apocalypse, and Woman's Genealogy in Aemilia Lanyer's Salve Deus Rex Judaeorum25 cited
  • 2022The Oxford Handbook of Early Modern Women's Writing in English, 1540-170023 cited
  • 2011“Here I have prepar’d my Paschal Lambe”: Reading and Seeing the Eucharistic Presence in Aemilia Lanyer’s Salve Deus Rex Judaeorum15 cited
  • 2022Untimely Developments14 cited
  • 2013Positioning Patronage: Lanyer'sSalve Deus Rex Judæorumand the Countess of Cumberland in Time and Place12 cited
  • 2022Receiving Early Modern Women’s Drama9 cited
  • 2022Early Modern Women, Race, and Writing Revisited9 cited
  • 2015Literal and Spiritual Births: Mary as Mother in Seventeenth-Century Women’s Writing

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8 cited
  • 2001Feminism versus Religion: Towards a Re-Reading of Aemilia Lanyer’s Salve Deus Rex Judaeorum7 cited
  • 2022Lyric Backwardness6 cited
  • 2005Gnosis in Aemilia Lanyer's "Salve Deus Rex Judaeorum"5 cited