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Almost "Better to Be Nobody": Feminist Subjectivity, the Thatcher Years, and Timberlake Wertenbaker's The Grace of Mary Traverse
14 references·0 citing·26 second hop
Almost "Better to Be Nobody": Feminist Subjectivity, the Thatcher Years, and Timberlake Wertenbaker's The Grace of Mary Traverse (1996)Almost "Better to Be Nobody": Feminist Su…Contemporary Feminist Theatres: To Each Her Own (1994)Contemporary Feminist Theatre…A Search for a Postmodern Theater: Interviews with Contemporary Playwrights (1994)A Search for a Postmodern The…Hailing Ideology, Acting in the Horizon, and Reading between Plays by Timberlake Wertenbaker (1993)Hailing Ideology, Acting in t…New Times and Old Enemies: Essays on Cultural Studies and America (1992)New Times and Old Enemies: Es…Culture In Britain Since 1945 (1991)Culture In Britain Since 1945Theatre Audiences: A Theory of Production and Reception (1990)Theatre Audiences: A Theory o…The Dis-Play's the Thing: Gender and Public Sphere in Contemporary British Theater (1990)The Dis-Play's the Thing: Gen…Theatre in Crisis: Conference Report, December 1988 (1989)Theatre in Crisis: Conference…The love of the nightingale ; and, The grace of Mary Traverse (1989)The love of the nightingale ;…The Hard Road to Renewal: Thatcherism and the Crisis of the Left (1988)The Hard Road to Renewal: Tha…Carry on Understudies: Theatre and Sexual Politics (1986)Carry on Understudies: Theatr…Alexis Hunter (1984)Alexis HunterDreams and Deconstructions: Alternative Theatre in Britain (1981)Dreams and Deconstructions: A…Lenin and Philosophy and Other Essays (1971)Lenin and Philosophy and Othe…Through the Flower: My Struggle as a Woman Artist (1975)The Rise of Authoritarian Neoliberalism (2013)Racism and the Press (2015)The Routledge Handbook of Critical Discourse Studies (2017)English theatre in the 1990s and beyond (2004)Serious Money Becomes "Business by Other Means": Caryl Churchill's Metatheatrical Subject (2004)The establishment of mainstream theatre, 1946–1979 (2004)The Anthropology of Theater and Spectacle (1993)Stage Fright, Animals, and Other Theatrical Problems (2006)The Cambridge Introduction to Theatre Studies (2008)Performing Shakespeare: Voice Training and the Feminist Actor (1996)Making games for social change (2006)The everyday experience of xenophobia: performingThe Crossingfrom Zimbabwe to South Africa (2010)Principles of Critical Discourse Analysis (1993)Publics and counterpublics (2003)Methodology of the Oppressed (2010)Discourses of rurality: Loose talk or social struggle? (1996)Kinesiology's Inconvenient Truth and the Physical Cultural Studies Imperative (2008)Pleasure Consuming Medicine (2009)Building an Unstable Pyramid: the Fragmentation of Alternative Theatre (1993)Literature and cinema (2005)The Cambridge History of Twentieth-Century English Literature (2005)The public forum (1995)Gender and Working Class Identity in Britain during the 1950s (2001)Using Popular Theatre for Engaging Racialized Minority Girls in Exploring Questions of Identity and Belonging (2005)Modernism and World War II (2007)
this work references cited by second hop

References

  • 1971Lenin and Philosophy and Other Essays8,002 cited
  • 1988The Hard Road to Renewal: Thatcherism and the Crisis of the Left1,366 cited
  • 1990Theatre Audiences: A Theory of Production and Reception394 cited
  • 1981Dreams and Deconstructions: Alternative Theatre in Britain98 cited
  • 1992New Times and Old Enemies: Essays on Cultural Studies and America97 cited
  • 1986Carry on Understudies: Theatre and Sexual Politics76 cited
  • 1994Contemporary Feminist Theatres: To Each Her Own46 cited
  • 1989Theatre in Crisis: Conference Report, December 198832 cited
  • 1991Culture In Britain Since 194518 cited
  • 1984Alexis Hunter16 cited
  • 1993Hailing Ideology, Acting in the Horizon, and Reading between Plays by Timberlake Wertenbaker12 cited
  • 1994A Search for a Postmodern Theater: Interviews with Contemporary Playwrights11 cited
  • 1989The love of the nightingale ; and, The grace of Mary Traverse8 cited
  • 1990The Dis-Play's the Thing: Gender and Public Sphere in Contemporary British Theater6 cited

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