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African American Dance - Philosophy, Aesthetics, and ‘Beauty’
9 references·4 citing·28 second hop
African American Dance - Philosophy, Aesthetics, and ‘Beauty’ (2005)African American Dance - Philosophy, Aest…Modern Dance, Negro Dance: Race In Motion (2004)Modern Dance, Negro Dance: Ra…Dancing many drums: excavations in African American dance (2002)Dancing many drums: excavatio…African-American concert dance: the Harlem Renaissance and beyond (2002)African-American concert danc…Dancing Many Drums: Excavations in African American Dance (2001)Dancing Many Drums: Excavatio…Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910 (2000)Resistance, Parody, and Doubl…On Beauty and Being Just (1999)On Beauty and Being JustThe Negro and His Music (1992)The Negro and His MusicVisual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Walking with the Self: Zab Maboungou's Interventions Against Eurocentrism Through Contemporary African Dance (2017)Walking with the Self: Zab Ma…Not all about sex: neural and biobehavioral functions of human dance (2017)Not all about sex: neural and…“Breakin' the Rules”: Eleo Pomare and the Transcultural Choreographies of Black Modernity (2012)“Breakin' the Rules”: Eleo Po…Revalorized Black Embodiment (2011)Revalorized Black EmbodimentThe descent of man and selection in relation to sex (1907)Flow: the psychology of optimal experience (1990)Flow: The Psychology of Optimal Experience (1991)Recovering hurston, reconsidering the choreographer (2006)Performing "Stormy Weather": Ethel Waters, Lena Horne, and Katherine Dunham (2008)Community and Autonomy (2019)Uncle Tom's Cabin: Before and After the Jim Crow Era (2000)Bulldaggers, Pansies, and Chocolate Babies (2010)Metroimperial Intimacies (2015)Spectacles of Truth in Classical Greek Philosophy (2004)The Persistence of Subjectivity (2005)Venus in Two Acts (2008)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Trance and visibility at dawn: racial dynamics in Goa’s rave scene (2005)Butch Queens Up in Pumps: Gender, Performance, and Ballroom Culture in Detroit (2013)Gestural Imaginaries (2019)“Oh, You Black Bottom!” Appropriation, Authenticity, and Opportunity in the Jazz Dance Teaching of 1920s New York (2006)Performing Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–1962 (2017)Choreography Invisible (2020)My Life as a Night Elf Priest (2010)Media and Participation: A site of ideological-democratic struggle (2011)The Commodification of the Body Positive Movement on Instagram (2016)"Bob" Cole: His Life and His Legacy to Black Musical Theater (1985)The Poetics of National and Racial Identity in Nineteenth-Century American Literature (2003)Ashley Street Blues: Racial Uplift and the Commodification of Vernacular Performance in Lavilla, Florida, 1896-1916 (2006)"I Don't Want to Do African ... What about My Technique?:" Transforming Dancing Places into Spaces in the Academy (2011)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1975Visual Pleasure and Narrative Cinema1,139 cited
  • 1999On Beauty and Being Just824 cited
  • 2004Modern Dance, Negro Dance: Race In Motion275 cited
  • 2000Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910148 cited
  • 2002Dancing many drums: excavations in African American dance113 cited
  • 2002African-American concert dance: the Harlem Renaissance and beyond72 cited
  • 2001Dancing Many Drums: Excavations in African American Dance55 cited
  • 1992The Negro and His Music49 cited

Cited by

  • 2017Not all about sex: neural and biobehavioral functions of human dance57 cited
  • 2012“Breakin' the Rules”: Eleo Pomare and the Transcultural Choreographies of Black Modernity15 cited
  • 2011Revalorized Black Embodiment9 cited
  • 2017Walking with the Self: Zab Maboungou's Interventions Against Eurocentrism Through Contemporary African Dance7 cited

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