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Cited by

• 2017The racial mundane: Asian American performance and the embodied everyday61 cited
• 2005Black Panthers, Red Guards, and Chinamen: Constructing Asian American Identity through Performing Blackness, 1969-197260 cited
• 2008Contemporary Latina/o Theater: Wrighting Ethnicity32 cited
• 2005The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon30 cited
• 2017Whitewashing Yellow Futures in Ex Machina, Cloud Atlas, and Advantageous: Gender, Labor, and Technology in Sci-fi Film29 cited
• 2013A Race So Different: Performance and Law in Asian America29 cited
• 2004Chinatown, Whose Chinatown? Defining America's Borders with Musical Orientalism28 cited
• 2002Impersonation and Other Disappearing Acts in Native Speaker by Chang-Rae Lee28 cited
• 2001Finding an Asian American Audience: The Problem of Listening22 cited
• 2000Recasting Race: Casting Practices and Racial Formations20 cited
• 2005Lee Tung Foo and the Making of a Chinese American Vaudevillian, 1900s-1920s19 cited
• 2000Hawai'i's “Local” Theatre18 cited
• 2014Performing Post-Racial Asianness: K-Pop's Appropriation of Hip-Hop Culture16 cited
• 2011At the Vanishing Point: Theater and Asian/American Critique