Proletarian Literature and the John Reed Clubs 1929–1935

Abstract

In February 1921 Irwin Granich, not yet transformed into “ Michael Gold,” published “ Towards Proletarian Art” in The Liberator. This essay has been described as “ the first significant call in this country [the United States] for the creation of a distinctly and militantly working-class culture.” What Gold meant by “ proletarian art” remains unclear. He uses “ proletarian” interchangeably with “ masses,” and suggests that Walt Whitman was the discoverer, without quite realizing it, of proletarian art in America. The proletariat for Gold were nothing less than heroic possessors of Life — “ The masses know what Life is, and they live on in gusto and joy ” — who have been thwarted by society from the full realization of their artistic and cultural heritage. Gold's thought was dominated by a lyrical and mystical celebration of the modern industrial worker, tinged by frustration at the bitter waste of human potential under capitalism.

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