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Naija boy remix: Afroexploitation and the new media creative economies of cosmopolitan African youth
16 references·6 citing·34 second hop
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this work references cited by second hop

References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1986The Anthropology of Performance2,586 cited
  • 2001Against Race: Imagining Political Culture beyond the Color Line2,264 cited
  • 1994Diasporas1,902 cited
  • 1986The anthropology of experience1,845 cited
  • 2009Remix: making art and commerce thrive in the hybrid economy1,301 cited
  • 2005Can't Stop Won't Stop: A History of the Hip-Hop Generation1,151 cited
  • 2008Remix1,080 cited
  • 2000The Many Faces of Cosmo-polis: Border Thinking and Critical Cosmopolitanism730 cited
  • 2008Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language727 cited
  • 2002The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop595 cited
  • 1997Postcolonial identities in Africa459 cited
  • 2000From bomba to hip-hop: Puerto Rican culture and Latino identity426 cited
  • 2005The Pan-African Nation403 cited
  • 2008In Search of the Black Fantastic379 cited

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Cited by

  • 2019Media and Stereotypes26 cited
  • 2015‘Wetin dey happen?’: Wazobia, popular arts, and nationhood24 cited
  • 2017Remix, literacy and creativity: An analytic review of the research literature17 cited
  • 2015The opportunism of political music culture in democratic Nigeria11 cited
  • 2023Digital media, popular culture and social activism amongst urban youth in Nigeria10 cited
  • 2025The Cogs and Wheels of Cultural Entrepreneurship: The Becoming of New Possibilities9 cited