Two journeys are implied by the existence of Tristia 1: one, by a poet, a from Rome to the gates of the Black Sea; the other, by a book, from the gates of the Black Sea back to Rome. Each of these journeys is explicitly, and prominently, discussed in Tristia 1; and each makes its presence felt in various ways throughout Tristia 1. Leaving for another day the outward voyage, described especially in the second, fourth, tenth and eleventh poems, I am going to deal in this essay with the return trip of Ovid's book to Rome, as anticipated at some length in the very opening poem of the collection. And (because that is still a somewhat unwieldy topic) I am going to focus on the final destination of Tristia 1 within Rome, as specified in the last twenty lines or so of this first poem: viz: the bookcase in Ovid's Roman home. In these programmatically charged lines, the personified first book of exile poetry finds itself face to face with the poetry books written by Ovid before his exile. I want in the ensuing pages to take a closer look than is usually taken at some details of this and other encounters with Ovid's past writings in the first poems from exile; and my hope is that this analysis will tell us a few things along the way about how the poet is trying here to relate his literary present to his literary past.
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