SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Public art: Theory, practice and populism
2 references·16 citing·44 second hop
Public art: Theory, practice and populism (2009)Public art: Theory, practice and populismFantasy City: Pleasure and Profit in the Postmodern Metropolis (2001)Fantasy City: Pleasure and Pr…Fantasy city: pleasure and profit in the postmodern metropolis (1999)Fantasy city: pleasure and pr…Public art in cities: what makes it engaging and interactive? (2022)Public art in cities: what ma…Cooking and dining as forms of public art (2021)Cooking and dining as forms o…Public art, cultural representation, and the just city (2019)Public art, cultural represen…Monuments and their functions in urban public space (2019)Monuments and their functions…No “Blank Canvas”: Public Art and Gentrification in Houston's Third Ward (2018)No “Blank Canvas”: Public Art…Introduction to Special Issue: Urban Public Art: Geographies of Co‐Production (2018)Introduction to Special Issue…The representation of street art on Flickr. Studying reception with visual content analysis (2017)The representation of street …Creative placemaking and theories of art: Analyzing a place-based NEA policy in Portland, OR (2017)Creative placemaking and theo…Contextualizing public art production in China: The urban sculpture planning system in Shanghai (2017)Contextualizing public art pr…(Re)Making Public Campus Art: Connecting the University, Publics and the City (2017)(Re)Making Public Campus Art:…Street Art: A Reply to Riggle (2016)Street Art: A Reply to RiggleURBAN SCENOGRAPHY: EMOTIONAL AND BODILY EXPERIENCE / MIESTO SCENOGRAFIJA: KŪNIŠKAS IR EMOCINIS PATYRIMAS (2013)URBAN SCENOGRAPHY: EMOTIONAL …Engaging geographies of public art: indwellers, the ‘Butt Plug Gnome’ and their locale (2012)Engaging geographies of publi…FROM A ‘BLIND WALKER’ TO AN ‘URBAN CURATOR’: INITIATING ‘EMOTIONALLY MOVING SITUATIONS’ IN PUBLIC SPACES / NUO KASDIENIO MIESTELĖNŲ „AKLUMO” IKI MIESTO AKTYVIZMO: INICIJUOJANT „EMOCIONALIAI PAVEIKIAS SITUACIJAS” VIEŠOSIOSE ERDVĖSE (2011)FROM A ‘BLIND WALKER’ TO AN ‘…Beyond public artopia: public art as perceived by its publics (2011)Beyond public artopia: public…Deconstructing public artopia: Situating public-art claims within practice (2010)Deconstructing public artopia…Case Study Research: Design and Methods (1984)Case Study Research: Design and Methods (1991)Handbook of Qualitative Research (1994)Street art as alternative attractions: A case of the East Side Gallery (2018)The Impacts of Public Art on Cities, Places and People’s Lives (2021)5. The Practice of Everyday Life (2000)On place-making, participation and public art: the Gorbals, Glasgow (2014)Tinkering with Space: The Organizational Practices of a Nascent Social Venture (2016)Being and Time (1927)Regenerating a coastal town through art: Dismaland and the (l)imitations of antagonistic art practice in the city (2017)Visibility (2007)At the Wall: Graffiti Writers, Urban Territoriality, and the Public Domain (2010)Street art, public city: Law, crime and the urban imagination (2015)Of Materiality and Meaning: The Illegality Condition in Street Art (2016)Knitting Feminist Politics: Exploring a Yarn-Bombing Performance in a Postdisaster City (2018)How Statues Speak (2022)From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism (1989)State theory: putting the capitalist state in its place (1992)The Production of Space (1992)Producing Chinese Urban Landscapes of Public Art: The Urban Sculpture Scene in Shanghai (2019)Remaking China’s urban space of the spectacle: Mega-events, temporary growth, and uneven spatial transformation in Shanghai (2019)The Interaction between Public Environmental Art Sculpture and Environment Based on the Analysis of Spatial Environment Characteristics (2022)Struggling with the Creative Class (2005)Relational aesthetics (2011)The New Governance and the Tools of Public Action: An Introduction (2011)Our Diversity Is Our Strength (2021)Race/ethnicity, place, and art and culture entrepreneurship in underserved communities (2021)Placemaking in Practice: Municipal Arts and Cultural Plans’ Approaches to Placemaking and Creative Placemaking (2022)Discipline and Punish: The Birth of the Prison (1978)Yearning: Race, Gender, and Cultural Politics (1990)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)From the social to the urban question: the pedagogical role of participatory arts practices in cities in transformation (2019)“D.C. is mambo sauce”: Black cultural production in a gentrifying city (2020)Beyond Geographies of Race (2024)La production de l'espace (1974)Cities and the Creative Class (2003)The Order of Things (2005)Criteria of livable public spaces quality. Case study analysis on the example of selected public spaces Lublin, Poland (2021)The Reconfiguration of Urban Public–Private Spaces in the Mall: False Security, Antidemocratization, and Apoliticalization (2021)The Arc de Triomphe, Wrapped: Measuring Public Installation Art Engagement and Popularity through Social Media Data Analysis (2022)The Impact of Cultural Events on City Image: Rotterdam, Cultural Capital of Europe 2001 (2004)Developing creativity in tourist experiences: A solution to the serial reproduction of culture? (2005)Creativity and tourism (2011)Hard‐branding the cultural city – from Prado to Prada (2003)
this work references cited by second hop

References

  • 1999Fantasy city: pleasure and profit in the postmodern metropolis520 cited
  • 2001Fantasy City: Pleasure and Profit in the Postmodern Metropolis403 cited

Cited by

  • 2011Beyond public artopia: public art as perceived by its publics70 cited
  • 2010Deconstructing public artopia: Situating public-art claims within practice63 cited
  • 2017Contextualizing public art production in China: The urban sculpture planning system in Shanghai39 cited
  • 2012Engaging geographies of public art: indwellers, the ‘Butt Plug Gnome’ and their locale34 cited
  • 2016Street Art: A Reply to Riggle33 cited
  • 2019Monuments and their functions in urban public space33 cited
  • 2017Creative placemaking and theories of art: Analyzing a place-based NEA policy in Portland, OR31 cited
  • 2018No “Blank Canvas”: Public Art and Gentrification in Houston's Third Ward18 cited
  • 2021Cooking and dining as forms of public art17 cited
  • 2022Public art in cities: what makes it engaging and interactive?15 cited
  • 2017The representation of street art on Flickr. Studying reception with visual content analysis15 cited
  • 2019Public art, cultural representation, and the just city13 cited
  • 2013

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

URBAN SCENOGRAPHY: EMOTIONAL AND BODILY EXPERIENCE / MIESTO SCENOGRAFIJA: KŪNIŠKAS IR EMOCINIS PATYRIMAS
11 cited
  • 2018Introduction to Special Issue: Urban Public Art: Geographies of Co‐Production11 cited
  • 2011FROM A ‘BLIND WALKER’ TO AN ‘URBAN CURATOR’: INITIATING ‘EMOTIONALLY MOVING SITUATIONS’ IN PUBLIC SPACES / NUO KASDIENIO MIESTELĖNŲ „AKLUMO” IKI MIESTO AKTYVIZMO: INICIJUOJANT „EMOCIONALIAI PAVEIKIAS SITUACIJAS” VIEŠOSIOSE ERDVĖSE9 cited
  • 2017(Re)Making Public Campus Art: Connecting the University, Publics and the City8 cited