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Oscar Wilde once wrote that ‘the whole of Japan is a pure invention’.1 This comment hints at the complex processes behind cultural transfer and transculturation between different areas of Asia and the West from the 1850s onwards.2 The development of gardening aesthetics in New Zealand from the mid-Victorian to Edwardian periods showcases just how inventive, complex and sometimes contradictory Western society’s cultural engagement with the rising Asian world power could be.
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Stored only when both papers are in the corpus — 11 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.