SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music
16 references·0 citing·30 second hop
Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music (2010)Looking Back over the 'Missa L'Ardant des…The Captive Scribe: The context and culture of scribal and notational process in the music of the 'ars subtilior' (2003)The Captive Scribe: The conte…The maze and the warrior: symbols in architecture, theology, and music (2002)The maze and the warrior: sym…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music (2001)Antoine Busnoys. Method, Mean…The rise of European music, 1380-1500 (1993)The rise of European music, 1…Mensuration and Proportion Signs: Origins and Evolution (1993)Mensuration and Proportion Si…La musica a Firenze al tempo di Lorenzo il Magnifico : congresso internazionale di studi, Firenze, 15-17 giugno, 1992 (1993)La musica a Firenze al tempo …Petrus de Domarto'sMissa Spiritus almusand the early history of the four-voice mass in the fifteenth century (1991)Petrus de Domarto'sMissa Spir…ANOTHER MASS BY BUSNOYS? (1990)ANOTHER MASS BY BUSNOYS?Symbol and Ritual in Josquin's "Missa Di Dadi" (1989)Symbol and Ritual in Josquin'…Music in Late Medieval Bruges (1986)Music in Late Medieval BrugesSome Observations on the Life and Career of Lionel Power (1975)Some Observations on the Life…Corpus scriptorum de musica (1957)Corpus scriptorum de musicaPolyphonic music of the fourteenth century (1956)Polyphonic music of the fourt…The Notation of Polyphonic Music, 900-1600 (1950)The Notation of Polyphonic Mu…Medieval Number Symbolism. Its Sources, Meaning, and Influence on Thought and Expression. (1939)Medieval Number Symbolism. It…Guillaume Du Fay's benefices and his relationship to the court of Burgundy (1988)Contenance angloise andaccidentals in some motets by Du Fay (1997)Music in Renaissance Ferrara 1400–1505 (2009)Guillaume Du Fay (2019)Renaissance Polyphony (2020)The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet (2006)What Fortune Can Do to a Minim (2012)The Cambridge Companion to French Music (2015)European politics and the distribution of music in the early fifteenth century (1981)A new canonic Gloria and the changing profile of Dunstaple (1996)Politics: Theory and Practice (1998)Parisian nobles, a Scottish princess, and the woman's voice in late medieval song (1991)The many ways of community music (2007)A Four-Part "In seculum" Hocket and a Mensural Sequence in an Unknown Fragment (1984)Singing Through the Looking Glass: Child's Play and Learning in Medieval Italy (2008)The Cambridge History of Musical Performance (2012)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)From Paris to St. Andrews: The Origins of W1 (1990)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)The Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)A Concert of Paintings: “Musical Ekphrasis” in the Twentieth Century (2001)Counterpoint pedagogy in the Renaissance (2002)Notes, scales, and modes in the earlier Middle Ages (2002)15. Dante’s Fatherlands (2016)Vertical Readings in Dante's Comedy (2016)Concept cathedral and “squaring the circle”: Interpreting the Gothic cathedral of Notre Dame de Paris as a standing hymn (2021)Ritual and ceremony in the Spanish royal chapel,c.1559–c.1561 (2000)The Renaissance (2015)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1986Music in Late Medieval Bruges159 cited
  • 2002The maze and the warrior: symbols in architecture, theology, and music99 cited
  • 1975Some Observations on the Life and Career of Lionel Power94 cited
  • 1950The Notation of Polyphonic Music, 900-160090 cited
  • 1956Polyphonic music of the fourteenth century51 cited
  • 1957Corpus scriptorum de musica48 cited
  • 2001Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music44 cited
  • 1991Petrus de Domarto'sMissa Spiritus almusand the early history of the four-voice mass in the fifteenth century41 cited
  • 1939Medieval Number Symbolism. Its Sources, Meaning, and Influence on Thought and Expression.35 cited
  • 1993The rise of European music, 1380-150033 cited
  • 1990ANOTHER MASS BY BUSNOYS?32 cited
  • 2003The Captive Scribe: The context and culture of scribal and notational process in the music of the 'ars subtilior'24 cited
  • 1989Symbol and Ritual in Josquin's "Missa Di Dadi"21 cited
  • 1993Mensuration and Proportion Signs: Origins and Evolution19 cited
  • 1993

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

La musica a Firenze al tempo di Lorenzo il Magnifico : congresso internazionale di studi, Firenze, 15-17 giugno, 1992
18 cited

Cited by

No citing works inside the corpus for this window.