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The Spiral Gallery: Non-market creativity and belonging in an Australian country town
16 references·15 citing·33 second hop
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this work references cited by second hop

References

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Cited by

  • 2022Urban-rural mobilities: The case of China's rural tourism makers

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53 cited
  • 2020An International Overview of Certified Practices in Creative Tourism in Rural and Urban Territories35 cited
  • 2019Cultural Clusters as a Local Economic Development Strategy in Rural Small-Town Areas: Sarah Baartman District in South Africa29 cited
  • 2019A co-evolving cultural cluster in the periphery: Film and TV production in Galway, Ireland21 cited
  • 2017The social impact of a regional community contemporary dance program in rural and remote Western Australia19 cited
  • 2021Rural arts entrepreneurs’ placemaking – how ‘entrepreneurial placemaking’ explains rural creative hub evolution during COVID-19 lockdown18 cited
  • 2021Making space to write ‘care-fully’: Engaged responses to the institutional politics of research writing18 cited
  • 2018“Twice the Size of Texas”: Assessing the Importance of Regional Popular Music Scenes – A Case Study of Regional Queensland13 cited
  • 2021The making of art islands: A comparative analysis of translocal assemblages of contemporary art and tourism11 cited
  • 2024Islanding as a vernacular creative response to crisis: Emotional geographies of pandemic musicianship6 cited
  • 2024Creative assets, people, and places: Rural art action practices of US nonprofit organizations6 cited
  • 2018Community resources for small city creativity? Rethinking creative economy narratives at the Blue Mountains Music Festival6 cited
  • 2023Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study)4 cited
  • 2016Entidades performáticas e desestabilização: o desenvolvimento local para além do mainstream4 cited
  • 2024Performing the self in contemporary rural China: voice from a villager4 cited