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Divas of the Wassoulou Sound: Transformations in the Matrix of Cultural Production, Globalization, and Identity
16 references·2 citing·34 second hop
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References

  • 1996Hybrid cultures: strategies for entering and leaving modernity2,051 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 1998Readings in African Popular Culture326 cited
  • 1990Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning314 cited
  • 1988The Mande blacksmiths: knowledge, power, and art in West Africa269 cited
  • 1998Global pop: world music, world markets204 cited
  • 1989Toward a Broadened Theory of Preference Formation and the Diffusion of Innovations: Cases from Zinder Province, Niger Republic190 cited
  • 1990"Our Tradition Is a Very Modern Tradition": Popular Music and the Construction of Pan-Yoruba Identity160 cited
  • 1995Power, Marginality and African Oral Literature128 cited
  • 1976Gens de la parole93 cited
  • 2001The African diaspora: a musical perspective64 cited
  • 1987The Epic of Son-Jara: A West African Tradition42 cited
  • 2018Women, Music, and the "Mystique" of Hunters in Mali 127 cited
  • 2000Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music24 cited
  • 2000In Griot Time : An American Guitarist in Mali22 cited

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1995
Jelimusow: the superwomen of Malian music
15 cited

Cited by

  • 2018Gender after gender: fragmentation, intersectionality, and stereotyping20 cited
  • 2011Crossing Borders, (Re)Shaping Gender. Music and Gender in a Globalised World5 cited