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Worlds of Music: A Review Essay
15 references·0 citing·41 second hop
Worlds of Music: A Review Essay (2005)Worlds of Music: A Review EssayThe Production of Culture Perspective (2004)The Production of Culture Per…Musical boundaries: intersections of form and content (2004)Musical boundaries: intersect…Meaning and membership: samples in rap music, 1979–1995 (2004)Meaning and membership: sampl…Cultural production, media, and meaning (2004)Cultural production, media, a…Organizing the musical canon (2002)Organizing the musical canonMuseums and money: the impact of funding on exhibitions, scholarship, and management (1997)Museums and money: the impact…"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)"Anything But Heavy Metal": S…Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (1995)Running with the Devil: Power…Social Theory for a Changing Society. (1993)Social Theory for a Changing …Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Constructing Racial Rhetoric: Media Depictions of Harm in Heavy Metal and Rap Music (1993)Constructing Racial Rhetoric:…Music and Sociology for the 1990s: A Changing Critical Perspective (1990)Music and Sociology for the 1…The sociology of culture (1982)The sociology of cultureEarly Downhome Blues. A Musical and Cultural Analysis (1978)Early Downhome Blues. A Music…Marxism and the philosophy of language (1973)The Body in the Mind (1987)Subculture: The Meaning of Style (1995)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Culture in Action: Symbols and Strategies (1986)The Neglect of Power in Recent Framing Research (2004)Misogyny in Rap Music (2009)The Interpretation of Cultures (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Outline of a Theory of Practice. (1980)An Invitation to Reflexive Sociology. (1993)The Study of Boundaries in the Social Sciences (2002)Culture in Interaction (2003)Moral Views of Market Society (2007)The Social Construction of Reality (1967)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Problems in comparative research: The example of omnivorousness (2005)Bourdieu, the media and cultural production (2006)Beyond journalism: Theorizing the transformation of journalism (2017)The New Institutionalism in Organizational Analysis. (1993)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Legitimacy as a Social Process (2006)Toward a Comparative Sociology of Valuation and Evaluation (2012)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)Music and Language (1994)The Cambridge History of American Music (1998)Triadic Modal and Pentatonic Patterns in Rock Music (2010)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Music as a technology of the self (1999)History Repeats Itself, But How? City Character, Urban Tradition, and the Accomplishment of Place (2000)Distinction in America? Recovering Bourdieu's theory of tastes from its critics (1997)The Fourth Wave of DemocracyandDictatorship: Noncooperative Transitions in the Postcommunist World (2002)Pierre Bourdieu and International Relations: Power of Practices, Practices of Power (2011)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Researching youth culture and popular music: a methodological critique (2002)What Is Sociological about Music? (2010)
this work references cited by second hop

References

  • 1996"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes1,087 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music944 cited
  • 2004The Production of Culture Perspective705 cited
  • 1993Social Theory for a Changing Society.598 cited
  • 1993Dancing in the distraction factory: music television and popular culture426 cited
  • 1982The sociology of culture399 cited
  • 1995Running with the Devil: Power, Gender, and Madness in Heavy Metal Music339 cited
  • 1993Constructing Racial Rhetoric: Media Depictions of Harm in Heavy Metal and Rap Music254 cited
  • 1978Early Downhome Blues. A Musical and Cultural Analysis85 cited
  • 2002Organizing the musical canon83 cited
  • 2004Meaning and membership: samples in rap music, 1979–199582 cited
  • 2004Musical boundaries: intersections of form and content75 cited
  • 1997Museums and money: the impact of funding on exhibitions, scholarship, and management74 cited
  • 1990Music and Sociology for the 1990s: A Changing Critical Perspective15 cited
  • 2004Cultural production, media, and meaning11 cited

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