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GC-MS and SEM Studies on the Effects of Solvent Cleaning on Old Master Paintings from the National Gallery, London
3 references·9 citing·34 second hop
GC-MS and SEM Studies on the Effects of Solvent Cleaning on Old Master Paintings from the National Gallery, London (1998)GC-MS and SEM Studies on the Effects of S…Some Picture Cleaning Controversies: Past and Present (1984)Some Picture Cleaning Controv…Solubility parameters and varnish removal: a survey (1980)Solubility parameters and var…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Gas Chromatographic Exami…Natural products such as adhesives in oil paintings (2016)Natural products such as adhe…Surface characterisation techniques in the study and conservation of art and archaeological artefacts: a review (2010)Surface characterisation tech…Integrated methodology for the evaluation of cleaning effectiveness in two Russian icons (16th–17th centuries) (2009)Integrated methodology for th…Methodology and Application of GC‐MS to Study Altered Organic Binding Media from Objects of the Kunsthistorisches Museum, Vienna (2006)Methodology and Application o…Measurements of Solvent Cleaning Effects on Oil Paintings (2006)Measurements of Solvent Clean…Study on the effects of chemical cleaning on pinaceae resin-based varnishes from panel and canvas paintings using pyrolysis-gas chromatography/mass spectrometry (2005)Study on the effects of chemi…Direct chemolysis–gas chromatography–mass spectrometry for analysis of paint materials (2004)Direct chemolysis–gas chromat…Los efectos del proceso de limpieza en las estructuras pictóricas (2001)Los efectos del proceso de li…Scanning electron microscopy techniques for imaging materials from paintings. (2000)Scanning electron microscopy …Cross-Sections and Chemical Analysis of Paint Samples (1956)The Characterization of Pigments Based on Carbon (1983)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)The Organic Chemistry of Museum Objects (1987)Comparative chromatographic and mass-spectrometric studies of triterpenoid varnishes: fresh material and aged samples from paintings (1998)GC-MS characterization of paint varnishes (2000)Buddhist Wall Paintings at Nako Monastery, North India: Changing of the Technology Throughout Centuries (2017)The international vocabulary of basic and general terms in metrology (1985)Cleaning Painted Surfaces: Aqueous Methods (2001)THE CHARACTERIZATION OF PAINTS AND WATERPROOFING MATERIALS FROM THE SHIPWRECKS FOUND AT THE ARCHAEOLOGICAL SITE OF THE ETRUSCAN AND ROMAN HARBOUR OF PISA (ITALY)* (2003)The Organic Chemistry of Museum Objects (1988)Characterisation of varnishes used in violins by pyrolysis‐gas chromatography/mass spectrometry (2008)Multimethod analysis of Iranian Ilkhanate ceramics from the Takht-e Soleyman palace (2010)Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons (2010)Painting Materials: A Short Encyclopedia (2011)National Gallery Technical Bulletin (1979)CLEANING OF A NINETEENTH-CENTURY PAINTING WITH DEOXYCHOLATE SOAP: MECHANISM AND RESIDUE STUDIES (1990)Lives of the Painters, Sculptors and Architects (1998)Three Ages of ''Patina'' in Painting (2002)The Elder Pliny's Chapters on the History of Art (2010)Teoria del restauro (1963)Modern paints uncovered (2007)The surface of cultural heritage artefacts: physicochemical investigations for their knowledge and their conservation (2007)The Gas Chromatographic Examination of Paint Media. Part 1. Fatty Acid Composition and Identification of Dried Oil Films (1966)Identification of lipidic binding media in plasterwork decorations from the Alhambra using GC–MS and chemometrics: Influence of pigments and aging (2014)An Enhanced GC/MS Procedure for the Identification of Proteins in Paint Microsamples (2018)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)THE EXTRACTABLE COMPONENTS OF OIL PAINT FILMS (1990)Examination, conservation and restoration of painted art (2007)Artwork conservation materials and Hansen solubility parameters: A novel methodology towards critical solvent selection (2013)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Lead soaps in paintings: Friends or foes? (2016)
this work references cited by second hop

References

  • 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited
  • 1980Solubility parameters and varnish removal: a survey35 cited
  • 1984Some Picture Cleaning Controversies: Past and Present28 cited

Cited by

  • 2005Study on the effects of chemical cleaning on pinaceae resin-based varnishes from panel and canvas paintings using pyrolysis-gas chromatography/mass spectrometry27 cited
  • 2004Direct chemolysis–gas chromatography–mass spectrometry for analysis of paint materials23 cited
  • 2006Methodology and Application of GC‐MS to Study Altered Organic Binding Media from Objects of the Kunsthistorisches Museum, Vienna21 cited
  • 2000Scanning electron microscopy techniques for imaging materials from paintings.17 cited
  • 2016Natural products such as adhesives in oil paintings12 cited
  • 2010Surface characterisation techniques in the study and conservation of art and archaeological artefacts: a review12 cited
  • 2009Integrated methodology for the evaluation of cleaning effectiveness in two Russian icons (16th–17th centuries)12 cited
  • 2006Measurements of Solvent Cleaning Effects on Oil Paintings11 cited
  • 2001Los efectos del proceso de limpieza en las estructuras pictóricas2 cited

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