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Cited by

• 2018The Cambridge Introduction to Satire73 cited
• 2007Advertising and Satirical Culture in the Romantic Period72 cited
• 2004Cruikshank, Thackeray, and the Victorian Eclipse of Satire63 cited
• 2015The Romantic Crowd: Sympathy, Controversy and Print Culture62 cited
• 2020Thick Big Data49 cited
• 2007Playing at Revolution: British “Jacobin” Performance38 cited
• 2001The Affective Revolution in 1790s Britain36 cited
• 2011Between Heroism and Acquittal: Henry Redhead Yorke and the Inherent Instability of Political Trials in Britain during the 1790s23 cited
• 2015The Afterlives of New Testament Apocrypha22 cited
• 2006A Matter of Turf: Romanticism, Hippodrama, and Legitimate Satire21 cited
• 2007Radicalism, Visual Culture, and Spectacle in the 1790s21 cited
• 2015Rhyme’s Crimes21 cited
• 2016The Metrical Ass, the Sapphic Jacobin, and the Barberian Homunculus: Southey, Thelwall, Jeffrey, and the Political History of Romantic Poetics15 cited
• 2004"The First of a New Genus": Mary Wollstonecraft as a Literary Critic and Mentor to Mary Hays13 cited
• 2001“Thoughts that Flash like Lightning”: Thomas Holcroft, Radical Theater, and the Production of Meaning in 1790s London