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Forget Peter Vincent: Nostalgia, Self-Reflexivity, and the Genre Past inFright Night
9 references·0 citing·26 second hop
Forget Peter Vincent: Nostalgia, Self-Reflexivity, and the Genre Past inFright Night (2009)Forget Peter Vincent: Nostalgia, Self-Ref…Celluloid Vampires: Life After Death in the Modern World (2007)Celluloid Vampires: Life Afte…The lure of the vampire: gender, fiction, and fandom from Bram Stoker to Buffy (2006)The lure of the vampire: gend…The Pleasures of Horror (2005)The Pleasures of HorrorBlood Obsession: Vampires, Serial Murder, and the Popular Imagination (2005)Blood Obsession: Vampires, Se…Recycled culture in contemporary art and film: the uses of nostalgia (2004)Recycled culture in contempor…Writing History, Writing Trauma (2002)Writing History, Writing Trau…READING THE VAMPIRE (1994)READING THE VAMPIREThe monster show: a cultural history of horror (1993)The monster show: a cultural …The Past is a Foreign Country (1986)The Past is a Foreign CountryVisual Pleasure and Narrative Cinema (1975)The Political Unconscious: Narrative as a Socially Symbolic Act (1982)Camera Lucida: Reflections on Photography (2001)Cultural Borrowings:: Appropriation, Reworking, Transformation (2009)Introduction: Media and Nostalgia (2014)New Perspectives on Language Variety in the South: Historical and Contemporary Approaches (2015)The Startle Effect: Implications for Spectator Cognition and Media Theory (2000)Monsters Evolve: A Biocultural Approach to Horror Stories (2012)Locating Zombies in the Sociology of Popular Culture (2013)Touch and Intimacy in First World War Literature (2006)Cultural memory studies : an international and interdisciplinary handbook (2008)Cultural Memory Studies (2008)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Why landscapes of the past are important for the future (2003)A review of innovation research in tourism (2009)Keep Your Fans to Yourself: The Disjuncture between Sport Studies' and Pop Culture Studies' Perspectives on Fandom (2007)In Defense of Textual Analysis: Resisting Methodological Hegemony in Media and Cultural Studies (2012)Found-Footage Horror and the Frame’s Undoing (2016)Unlocking The Vampire Diaries: Genre, Authorship, and Quality in Teen TV horror (2013)Queer utopias and a (Feminist) Iranian vampire: a critical analysis of resistive monstrosity inA Girl Walks Home Alone at Night (2017)‘The urge towards love is an urge towards (un)death’: Romance, masochistic desire and postfeminism in the Twilight novels (2011)Fifty shades of ghey: Snark fandom and the figure of the anti-fan (2013)The Cambridge Companion to ‘Dracula' (2017)Victorian Literature and the Anorexic Body (2002)Postcolonial Whiteness: A Critical Reader on Race and Empire (2005)Catholicism, Sexual Deviance, and Victorian Gothic Culture (2006)
this work references cited by second hop

References

  • 1986The Past is a Foreign Country3,632 cited
  • 2002Writing History, Writing Trauma1,728 cited
  • 1994READING THE VAMPIRE276 cited
  • 1993The monster show: a cultural history of horror227 cited
  • 2006The lure of the vampire: gender, fiction, and fandom from Bram Stoker to Buffy119 cited
  • 2005The Pleasures of Horror94 cited
  • 2004Recycled culture in contemporary art and film: the uses of nostalgia60 cited
  • 2007Celluloid Vampires: Life After Death in the Modern World49 cited
  • 2005Blood Obsession: Vampires, Serial Murder, and the Popular Imagination10 cited

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