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Cited by

• 2014Photochemical colour change for traditional watercolour pigments in low oxygen levels25 cited
• 2012Comparison of English portrait miniatures using Raman microscopy and other techniques24 cited
• 1980NEW LIGHT ON ROBERT BOYLE AND THE DISCOVERY OF COLOUR INDICATORS18 cited
• 2020On the Red and Yellow Pigments of Post‐Byzantine Greek Icons*17 cited
• 2020The altar wall paintings of the catholicon “The Nativity of the Virgin”, Rila Monastery, Bulgaria: Identification of the painting materials by means of vibrational spectroscopic techniques complemented by EDX, XRD and TGA analysis15 cited
• 2011Evolución del color en el alero de la fachada del rey D. Pedro I, Real Alcázar de Sevilla. Aportaciones del estudio de materiales a la identificación de las intervenciones de restauración a lo largo de su historia14 cited
• 2020The Girl in the Spotlight: Vermeer at work, his materials and techniques in Girl with a Pearl Earring11 cited
• 2017Identification of vivianite, an unusual blue pigment, in a sixteenth century painting and its implications11 cited