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“Then You Wink the Other Eye”: T. S. Eliot and the Music Hall
15 references·1 citing·31 second hop
“Then You Wink the Other Eye”: T. S. Eliot and the Music Hall (1998)“Then You Wink the Other Eye”: T. S. Elio…The Letters of T. S. Eliot (2020)The Letters of T. S. EliotThe Victorian Music Hall: Culture, Class and Conflict (1999)The Victorian Music Hall: Cul…Journal of Modern Literature (1998)Journal of Modern LiteratureT. S. Eliot and the Cultural Divide (1995)T. S. Eliot and the Cultural …The savage and the city in the work of T.S. Eliot (1988)The savage and the city in th…The Last empires: A music hall companion (1986)The Last empires: A music hal…Kindly leave the stage!: The story of variety, 1919-1960 (1985)Kindly leave the stage!: The …Die Londoner Music Hall und ihre Songs 1850–1920 (1984)Die Londoner Music Hall und i…Tradition and the Individual Talent (1982)Tradition and the Individual …Music hall in Britain (1974)Music hall in BritainSongs of the British Music Hall (1971)Songs of the British Music Ha…British music hall (1965)British music hallThe Complete Poems and Plays, 1909-1950 (1952)The Complete Poems and Plays,…Essays on the Depopulation of Melanesia (1923)Essays on the Depopulation of…Essays on the Depopulation of Melanesia (1922)Essays on the Depopulation of…T. S. Eliot and Cinema (2006)T. S. Eliot and CinemaTheory of the Avant-Garde (1985)After the Great Divide (1986)Interrogating "Whiteness," Complicating "Blackness": Remapping American Culture (1995)Modernism and Cultural Conflict, 1880–1922 (2002)The Use of Poetry and the Use of Criticism (1933) (2004)The Soundproof Study: Victorian Professionals, Work Space, and Urban Noise (1999)Burbank with a Baedeker, Eliot with a Cigar: American Intellectuals, Anti-Semitism, and the Idea of Culture (2003)May the Record Speak (2020)Breaking Away: A Study of First-Generation College Students and Their Families (1989)The Relational Unconscious: a Core Element of Intersubjectivity, Thirdness, and Clinical Process (2004)Voice and the Victorian Storyteller (2005)The Cambridge Introduction to T. S. Eliot (2006)Still Life: Modernism's Turn to Greece (2012)The Cambridge History of Modernism (2017)Beyond geography's visible worlds: a cultural politics of music (1997)The Cambridge History of American Theatre (1999)The Cambridge History of British Theatre (2004)A Selective Review of Time Assumptions in Strategy Research (2000)Sexuality, Textuality: The Cultural Work of Plagiarism (2000)Modernism, Satire and the Novel (2011)Acculturation: An Exploratory Formulation (1954)Personal Equations: Reflections on the History of Fieldwork, with Special Reference to Sociocultural Anthropology (2011)Trajectories of exposure and vulnerability of small islands to climate change (2017)The vanishing Mpongwe: European contact and demographic change in the Gabon River (1975)The Culture of Culture Contact: Refractions from Polynesia (2003)Beginning to theorize postmodernism (1987)‘Spinning’ Warhol: Celebrity brand theoretics and the logic of the celebrity brand (2011)Leda and the stylisticians (2012)Punk Rock as Popular Theatre (2007)No other excuse: Race, class and gender in British Music Hall comedic performance 1914–1949 (2012)Vaudeville comedy and art (2013)
this work references cited by second hop

References

  • 1982Tradition and the Individual Talent661 cited
  • 1952The Complete Poems and Plays, 1909-1950298 cited
  • 1995T. S. Eliot and the Cultural Divide293 cited
  • 1998Journal of Modern Literature259 cited
  • 1999The Victorian Music Hall: Culture, Class and Conflict172 cited
  • 1988The savage and the city in the work of T.S. Eliot166 cited
  • 2020The Letters of T. S. Eliot69 cited
  • 1985Kindly leave the stage!: The story of variety, 1919-196055 cited
  • 1922Essays on the Depopulation of Melanesia53 cited
  • 1923Essays on the Depopulation of Melanesia36 cited
  • 1986The Last empires: A music hall companion33 cited
  • 1984Die Londoner Music Hall und ihre Songs 1850–192024 cited
  • 1971Songs of the British Music Hall23 cited
  • 1974Music hall in Britain16 cited
  • 1965British music hall9 cited

Cited by

  • 2006T. S. Eliot and Cinema24 cited

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