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A REVIEW OF COLOR-PRODUCING MECHANISMS IN FEATHERS AND THEIR INFLUENCE ON PREVENTIVE CONSERVATION STRATEGIES
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A REVIEW OF COLOR-PRODUCING MECHANISMS IN FEATHERS AND THEIR INFLUENCE ON PREVENTIVE CONSERVATION STRATEGIES (2014)A REVIEW OF COLOR-PRODUCING MECHANISMS IN…Evaluating Color and Fading of Red-Shafted Flicker (Colaptes auratus cafer) Feathers: Technical and Cultural Considerations (2010)Evaluating Color and Fading o…Risk Assessment for Object Conservation (2000)Risk Assessment for Object Co…Objects of myth and memory: American Indian art at the Brooklyn Museum (1991)Objects of myth and memory: A…Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness (2024)Physico‐chemical characterisa…Imaging Diagnostics Coupled with Non-Invasive and Micro-Invasive Analyses for the Restoration of Ethnographic Artifacts from French Polynesia (2022)Imaging Diagnostics Coupled w…Colored feathers in museum collections: A spectroscopic study of 3 bio-pigments and their lightfastness (2020)Colored feathers in museum co…Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Airborne pollutants in museums, galleries and archives : risk assessment, control strategies, and preservation management (2002)Microfade Testing for Heritage Institutions: A Canadian Experience (2018)The Fading Rates of Some Natural Dyes (1987)A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)Paint and Coloring Materials from the Brazilian Amazon Forest: Beyond Urucum and Jenipapo (2023)Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)The Rahui: Legal pluralism in Polynesian traditional management of resources and territories (2016)Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop (2019)A Study on the Diagnosis Technology for Conservation Status of Painting Cultural Heritage Using Digital Image Analysis Program (2023)Materials and Technique: The First Look at Saturnino Gatti (2023)New Advances in Dye Analyses: In Situ Gel-Supported Liquid Extraction from Paint Layers and Textiles for SERS and HPLC-MS/MS Identification (2023)The natural constituents of historical textile dyes (2004)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Hydrogen sulfide and carbonyl sulfide in the museum environment?Part 1 (2004)A proposed assessment index for climate change-related risk for cultural heritage protection in Newcastle (Australia) (2016)Italian perspective on the planned preventive conservation of architectural heritage (2020)An Anthropological Definition of the Museum and its Purpose (1993)‘Primitivism’, Anthropology, and the Category of ‘Primitive Art’ (2006)The Darts of Dawn: The Tlahuizcalpantecuhtli Venus Complex in the Iconography of Mesoamerica and the American Southwest (2015)
this work references cited by second hop

References

  • 2000Risk Assessment for Object Conservation131 cited
  • 1991Objects of myth and memory: American Indian art at the Brooklyn Museum18 cited
  • 2010Evaluating Color and Fading of Red-Shafted Flicker (Colaptes auratus cafer) Feathers: Technical and Cultural Considerations13 cited

Cited by

  • 2022Imaging Diagnostics Coupled with Non-Invasive and Micro-Invasive Analyses for the Restoration of Ethnographic Artifacts from French Polynesia23 cited
  • 2020Colored feathers in museum collections: A spectroscopic study of 3 bio-pigments and their lightfastness12 cited
  • 2024Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness9 cited

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