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An analysis of performance practices in African American gospel music: rhythm, lyric treatment and structures in improvisation and accompaniment
16 references·0 citing·28 second hop
An analysis of performance practices in African American gospel music: rhythm, lyric treatment and structures in improvisation and accompaniment (2015)An analysis of performance practices in A…Rock: The Primary Text (2018)Rock: The Primary TextAppropriating blackness: performance and the politics of authenticity (2004)Appropriating blackness: perf…Analyzing Popular Music (2004)Analyzing Popular MusicPopular music analysis: ten apothegms and four instances (2003)Popular music analysis: ten a…Appropriating Blackness (2003)Appropriating BlacknessAnalyzing Popular Music (2003)Analyzing Popular MusicAnalysing Musical Multimedia (2001)Analysing Musical MultimediaAnalysing Musical Multimedia (1998)Analysing Musical MultimediaThinking in jazz: the infinite art of improvisation (1995)Thinking in jazz: the infinit…Thinking in Jazz (1994)Thinking in JazzOn Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Analysing popular music: theory, method and practice (1982)Analysing popular music: theo…Afro-American Gospel Music: A Crystallization of the Black Aesthetic (1975)Afro-American Gospel Music: A…The Music of Black Americans: A History (1974)The Music of Black Americans:…The Music of Black Americans: A History (1971)The Music of Black Americans:…Negro Folk Music, U.S.A. (1963)Negro Folk Music, U.S.A.Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Theorizing Musical Meaning (2001)Seeing music performance: Visual influences on perception and experience (2005)Multimodal Metaphor in Ten Dutch TV Commercials (2007)Black Music as an Art Form (1983)Shaping the Popular Image of Post-Reconstruction American Blacks: The "Coon Song" Phenomenon of the Gilded Age (1988)When Malindy Sings: A Meditation on Black Women’s Vocality (2004)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)“Still Looking for My Jonathan”: Gay Black Men's Management of Religious and Sexual Identity Conflicts (2009)WHAT IS RACIAL DOMINATION? (2009)An Intersectional Analysis of Lesbian, Gay, Bisexual, and Transgender (LGBT) People’s Evaluations of Anti-Queer Violence (2012)Music Scenes to Music Clusters: The Economic Geography of Music in the US, 1970–2000 (2010)The Digital Barbershop: Blogs and Online Oral Culture Within the African American Community (2016)Loving Music Till It Hurts (2019)Music—Drastic or Gnostic? (2004)Metaphor in Pictures and Multimodal Representations (2008)Gender/Racial Realness: Theorizing the Gender System in Ballroom Culture (2011)Devalued Black and Latino Racial Identities (2016)
this work references cited by second hop

References

  • 1994Thinking in Jazz1,018 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1998Analysing Musical Multimedia560 cited
  • 2004Appropriating blackness: performance and the politics of authenticity509 cited
  • 2003Appropriating Blackness414 cited
  • 1982Analysing popular music: theory, method and practice376 cited
  • 2001Analysing Musical Multimedia290 cited
  • 1971The Music of Black Americans: A History231 cited
  • 1974The Music of Black Americans: A History207 cited
  • 2004Analyzing Popular Music104 cited
  • 2018Rock: The Primary Text91 cited
  • 2003Popular music analysis: ten apothegms and four instances87 cited
  • 2003Analyzing Popular Music77 cited
  • 1963Negro Folk Music, U.S.A.70 cited
  • 1975Afro-American Gospel Music: A Crystallization of the Black Aesthetic67 cited

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