Historicizing the Shadows and the Acts: No Way Out and the Imagining of Black Activist Communities

Ryan De Rosa

4 citations0/0 files storedCinema Journal

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Race, History, and American Society Literature, Film, and Journalism Analysis

Abstract

Exploring the reasons for the banning of the 1950 civil rights film No Way Out (Joseph L. Mankiewicz) in the North, this article interrogates the tenets and parameters of race within the white liberal consensus in the United States at the start of the 1950s. These liberal ideas come to light and come under critique in the emerging discourse of community politics within the black public sphere.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 4 citations exist upstream.

References

1997The cultural front: the laboring of American culture in the twentieth century 1995The collected essays of Ralph Ellison 2017An American Dilemma 1998Making the Second Ghetto: Race and Housing in Chicago 1940-1960 1967The crisis of the Negro intellectual 1997Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.2009Black Is a Country 2007Selling the race: culture, community, and black Chicago, 1940-1955

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.