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Drawing from George Hutchinson’s recent revisionist biography of Nella Larsen and scholarship in the fields of immigration and queer studies, this article advances a new interpretation of Quicksand as a text that critiques racial and sexual normativity. I argue that Larsen identifies and critiques a distinct black nativism that, in the early decades of the twentieth century, sutured racial and sexual normativity, producing figures like Larsen as queer.
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Stored only when both papers are in the corpus — 18 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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