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Metrical Dissonance and Directed Motion in Paderewski's Recordings of Chopin's Mazurkas
11 references·3 citing·43 second hop
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References

  • 1998Classical Form529 cited
  • 1999Fantasy Pieces199 cited
  • 1992Early Recordings and Musical Style196 cited
  • 1998A microcosm of musical expression. I. Quantitative analysis of pianists’ timing in the initial measures of Chopin’s Etude in E major151 cited
  • 1993The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances131 cited
  • 2002Theories of musical rhythm in the eighteenth and nineteenth centuries103 cited
  • 2001Between Process and Product95 cited
  • 2006The Power of Anacrusis52 cited
  • 1994The Pastness of the Present and the Presence of the Past37 cited
  • 1999A microcosm of musical expression: II. Quantitative analysis of pianists’ dynamics in the initial measures of Chopin’s Etude in E major37 cited
  • 1999Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction32 cited

Cited by

  • 2012Solutions to the “Great Nineteenth-Century Rhythm Problem” in Horowitz’s Recording of the Theme from Schumann’sKreisleriana, Op. 16, No. 26 cited
  • 2012Performance Strategies in Three Recordings of Bach’s Invention No. 1 in C Major: A Comparative Study4 cited
  • 2024Early twentieth-century recordings in higher music education: a preliminary analysis of the students’ views

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2 cited